180 records matched your query
03692aam a2200361 i 4500 001 ACDB6830CF3111EB9A1890BA3BECA4DB 003 SILO 005 20210617010040 008 201103t20212021enkab b 001 0 eng 010 $a 2020049893 020 $a 1509944389 020 $a 9781509944385 020 $a 1509944346 020 $a 9781509944347 035 $a (OCoLC)1204264918 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d BDX $d OCLCF $d OCLCO $d SILO 042 $a pcc 050 00 $a K3778 $b .K67 2021 100 1 $a Korsten, Frans-Willem, $e author. 245 10 $a Art as an interface of law and justice : $b affirmation, disturbance, disruption / $c Frans-Willem Korsten. 264 1 $a Oxford, UK ; $b Hart Publishing, $c 2021. 300 $a viii, 204 pages ; $c 25 cm 504 $a Includes bibliographical references and index. 505 0 $a Art as the interface of law and justice : from annoyance to an ethics of affirmation -- Logic of fear vs logic of desire : Milo Rau's "The Congo tribunal" and the care for law" -- Logic of tragedy vs logic of comedy : Elfriede Jelinek's "Ulrike Maria Stuart and princess-dramas : death and the maiden" -- Logic of the official vs logic of the officious : the force in form and forum in Valeria Luiselli's "Tell me how it ends and lost children archive" -- Logic of personhood vs logic of self : threat of packs in Vondel's 'water-wolf' and the shift of commons into property -- Logic of completion vs logic of antinomy : corruption and well-being from Marek H¿asko, to Chibundu Onuzo, to the American suburban grass turf and Fritz Haeg -- Logic of violence vs logic of empathy : justice and law in Chiasmus through George Eliot's "Daniel Deronda" -- Logic of reason vs logic of dream : epistemic authority, habeas corpus, hallucination -- Nicholas Refn's "Only God forgives". 520 $a "This book looks at the way in which the 'call for justice' is portrayed through art and presents a wide range of texts from film to theatre to essays and novels to interrogate the law. The 'call for justice' may have its positive connotations, but throughout history most have caused annoyance. Art is very well suited to deal with such annoyance, or to provoke it. This study shows how art operates as an interface, here, between two spheres: the larger realm of justice and the more specific system of law. This interface has a double potential. It can make law and justice affirm or productively disturb one another. Approaching issues of injustice that are felt globally, eight chapters focus on original works of art not dealt with before, including Milo Rau's The Congo Tribunal, Elfriede Jelinek's Ulrike Maria Stuart, Valeria Luiselli's Tell Me How It Ends and George Eliot's Daniel Deronda. They demonstrate how through art's interface, impasses are addressed, new laws are made imaginable, the span of systems of laws is explored, and the differences in what people consider to be just are brought to light. The book considers the improvement of law and justice to be a global struggle and, whilst the issues dealt with are culture-specific, it argues that the logics introduced are applicable everywhere"-- $c Provided by publisher. 650 0 $a Law and art. 650 0 $a Justice. 650 7 $a Justice. $2 fast $0 (OCoLC)fst00985122 650 7 $a Law and art. $2 fast $0 (OCoLC)fst00993894 776 08 $i Online version: $a Korsten, Frans-Willem. $t Art as an interface of law and justice $d Oxford, UK ; New York, NY : Hart Publishing, an imprint of Bloomsbury Publishing, 2020 $z 9781509944354 $w (DLC) 2020049894 941 $a 1 952 $l OVUX522 $d 20220526020218.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=ACDB6830CF3111EB9A1890BA3BECA4DBInitiate Another SILO Locator Search