The Locator -- [(subject = "Art and literature")]

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03163aam a2200409Ii 4500
001 10BA1174AF2611EC897049F049ECA4DB
003 SILO
005 20220329010112
008 210616t20222022ne a     b    101 0 eng d
020    $a 9789004468320
020    $a 9004468323
035    $a (OCoLC)1256627828
040    $a YDX $b eng $e rda $c YDX $d ERASA $d YDX $d SILO
041 0  $a fre $a fre
050  4 $a NK1128 $b .I58 2017
082 04 $a 745.10287 $2 23
111 2  $a International Conference on Word and Image Studies $n (11th : $d 2017 : $c Lausanne, France)
245 10 $a Reproducing images and texts = $b La reproduction des images et des textes / $c edited by Philippe Kaenel and Kirsty Bell ; in collaboration with Fanny Bru˜llhart.
246 3  $a Reproduction des images et des textes
264  1 $a Leiden ; $b Brill, $c [2022]
300    $a xxx, 406 pages : $b illustrations (some color) ; $c 25 cm.
490 1  $a Word & image interactions ; $v volume 10
500    $a Contributions to the 11th Congress of the International Association of Word and Image Studies, held at the University of Lausanne 10-14 July 2017.
504    $a Includes bibliographical references and index.
520 8  $a How has reproduction transformed works of art and literature, their dissemination and their reception? And how does it continue to do so? In what ways have our definitions and practices of reproduction changed over the last centuries thanks to new printing, photographic and digital techniques? These questions are timely. From the medieval copy to contemporary digital culture, including the rise of the printing press and engraving techniques in the Renaissance and the Ancien Regime, myriad modes of reproduction informed both our access to texts and images and our ways of reading, seeing, understanding, discovering and questioning the world. Dans quelle mesure la reproduction transforme-t-elle les ¿uvres, leur diffusion et leur reception? De quelles manieres les conceptions et les usages de la reproduction ont-ils subi des transformations majeures au cours des derniers siecles avec la diffusion des pratiques d'impression, de la photographie et des techniques numeriques? Ces questions sont d'une actualite incontournable. De la copie medievale a la culture numerique contemporaine, en passant par l'essor de l'imprimerie et les techniques de gravure a la Renaissance et sous l'Ancien Regime, les differents modes de reproduction informent non seulement nos acces aux textes et aux images, mais aussi nos manieres de lire, de voir, de comprendre, decouvrir et d'interroger le monde.
546    $a French and English.
650  0 $a Art objects $x Reproduction $v Congresses.
650  0 $a Art and literature $v Congresses.
650  0 $a Visual communication $v Congresses.
700 1  $a Kaenel, Philippe, $e editor.
700 1  $a Bell, Kirsty, $e editor.
700 1  $a Bru˜lhart, Fanny, $e contributor.
710 2  $a International Association of Word and Image Studies, $e sponsoring body.
830  0 $a Word & image interactions ; $v 10.
941    $a 1
952    $l OVUX522 $d 20231117023736.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=10BA1174AF2611EC897049F049ECA4DB

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