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03471aam a2200493 i 4500 001 18EFF8FE253111EE91433F782CECA4DB 003 SILO 005 20230718010455 008 210729s2021 iluag b 001 0 eng 010 $a 2021037434 020 $a 0252086082 020 $a 9780252086083 020 $a 0252044029 020 $a 9780252044021 035 $a (OCoLC)1263249926 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d SILO 041 1 $a eng $h por 042 $a pcc 043 $a s-bl--- 050 00 $a ML3465 $b .S29513 2021 082 00 $a 781.640981 $2 23 100 1 $a Sandroni, Carlos, $d 1958- $e author. 240 10 $a Feiticʹo decente. $l English 245 12 $a A respectable spell : $b transformations of Samba in Rio de Janeiro / $c Carlos Sandroni ; translated by Michael Iyanaga. 250 $a Second, expanded edition. 264 1 $a Urbana : $b University of lllinois Press, $c [2021] 300 $a xxxix, 275 pages : $b illustrations, musical notation ; $c 23 cm. 490 0 $a Lemann center for Brazilian studies series 500 $a "Originally published as Feiticʹo decente: Transformacʹoes do samba no Rio de Janeiro (1917-1933)"--Title page verso. 500 $a Translated from the Portugese. 504 $a Includes bibliographical references and index. 520 $a "This book is primarily about the social history and musical changes of Samba in Rio de Janeiro from 1917 to the early 1930s, looking chiefly at the era's commercial recordings. The year 1917 marks the first time that a popular song designated as "Samba" became a widespread Carnival success in the city. In the early 1930s, a new style of Samba became dominant, such that it is still today the genre's primary point of reference. The book proposes an analysis and interpretation of the differences in the musical styles, highlighting their rhythmic aspects. It also shows how these differences are linked to the way in which Samba and sambistas are understood in Rio de Janeiro's society and culture during this period. The first part of the book, "From Lundu to Samba," deals with popular music genres created during the second half of the nineteenth century, such as lundu, Brazilian tango, and maxixe, whose musical characteristics came to be shared with old-style Samba. The book's second part, "From One Samba to Another," deals with the emergence of Samba in Rio de Janeiro as a commercial genre of popular music, and with the creation and success of the new style of Samba, paying special attention to the trajectories of Ismael Silva and Noel Rosa, composers representative of this transition"-- $c Provided by publisher. 650 0 $a Sambas $z Rio de Janeiro $z Rio de Janeiro $y 20th century $x History and criticism. 650 0 $a Popular music $z Rio de Janeiro $z Rio de Janeiro $y 20th century $x History and criticism. 650 7 $a Popular music. $2 fast $0 (OCoLC)fst01071422 650 7 $a Sambas. $2 fast $0 (OCoLC)fst01104535 651 7 $a Brazil $z Rio de Janeiro. $2 fast $0 (OCoLC)fst01205337 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a Iyanaga, Michael, $e translator. 776 08 $i Online version: $a Sandroni, Carlos, 1958- $t Respectable spell $b Second, expanded edition. $d Urbana : University of lllinois Press, 2021 $z 9780252052965 $w (DLC) 2021037435 941 $a 1 952 $l OVUX522 $d 20231117014500.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=18EFF8FE253111EE91433F782CECA4DBInitiate Another SILO Locator Search