The Locator -- [(subject = "Brazil--Rio de Janeiro")]

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03471aam a2200493 i 4500
001 18EFF8FE253111EE91433F782CECA4DB
003 SILO
005 20230718010455
008 210729s2021    iluag    b    001 0 eng  
010    $a 2021037434
020    $a 0252086082
020    $a 9780252086083
020    $a 0252044029
020    $a 9780252044021
035    $a (OCoLC)1263249926
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d SILO
041 1  $a eng $h por
042    $a pcc
043    $a s-bl---
050 00 $a ML3465 $b .S29513 2021
082 00 $a 781.640981 $2 23
100 1  $a Sandroni, Carlos, $d 1958- $e author.
240 10 $a Feiticʹo decente. $l English
245 12 $a A respectable spell : $b transformations of Samba in Rio de Janeiro / $c Carlos Sandroni ; translated by Michael Iyanaga.
250    $a Second, expanded edition.
264  1 $a Urbana : $b University of lllinois Press, $c [2021]
300    $a xxxix, 275 pages : $b illustrations, musical notation ; $c 23 cm.
490 0  $a Lemann center for Brazilian studies series
500    $a "Originally published as Feiticʹo decente: Transformacʹoes do samba no Rio de Janeiro (1917-1933)"--Title page verso.
500    $a Translated from the Portugese.
504    $a Includes bibliographical references and index.
520    $a "This book is primarily about the social history and musical changes of Samba in Rio de Janeiro from 1917 to the early 1930s, looking chiefly at the era's commercial recordings. The year 1917 marks the first time that a popular song designated as "Samba" became a widespread Carnival success in the city. In the early 1930s, a new style of Samba became dominant, such that it is still today the genre's primary point of reference. The book proposes an analysis and interpretation of the differences in the musical styles, highlighting their rhythmic aspects. It also shows how these differences are linked to the way in which Samba and sambistas are understood in Rio de Janeiro's society and culture during this period. The first part of the book, "From Lundu to Samba," deals with popular music genres created during the second half of the nineteenth century, such as lundu, Brazilian tango, and maxixe, whose musical characteristics came to be shared with old-style Samba. The book's second part, "From One Samba to Another," deals with the emergence of Samba in Rio de Janeiro as a commercial genre of popular music, and with the creation and success of the new style of Samba, paying special attention to the trajectories of Ismael Silva and Noel Rosa, composers representative of this transition"-- $c Provided by publisher.
650  0 $a Sambas $z Rio de Janeiro $z Rio de Janeiro $y 20th century $x History and criticism.
650  0 $a Popular music $z Rio de Janeiro $z Rio de Janeiro $y 20th century $x History and criticism.
650  7 $a Popular music. $2 fast $0 (OCoLC)fst01071422
650  7 $a Sambas. $2 fast $0 (OCoLC)fst01104535
651  7 $a Brazil $z Rio de Janeiro. $2 fast $0 (OCoLC)fst01205337
648  7 $a 1900-1999 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
700 1  $a Iyanaga, Michael, $e translator.
776 08 $i Online version: $a Sandroni, Carlos, 1958- $t Respectable spell $b Second, expanded edition. $d Urbana : University of lllinois Press, 2021 $z 9780252052965 $w (DLC)  2021037435
941    $a 1
952    $l OVUX522 $d 20231117014500.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=18EFF8FE253111EE91433F782CECA4DB

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