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05247aam a22006018i 4500 001 3EE1FF74ED3011E78644BA0B97128E48 003 SILO 005 20171230010220 008 141218t20152015caua b 001 0 eng c 010 $a 2014047788 020 $a 1606064339 020 $a 9781606064337 035 $a (OCoLC)900277134 040 $a JPG/DLC $b eng $e rda $c JPG $d DLC $d OCLCO $d BDX $d OCLCF $d YDXCP $d BTCTA $d FXM $d S3O $d KSU $d NLGGC $d UtOrBLW $d SILO 041 1 $a eng $h ger 042 $a pcc 043 $a e------ $0 http://id.loc.gov/vocabulary/geographicAreas/e 050 00 $a NB1199 $b .T3813 2015 $0 http://id.loc.gov/authorities/classification/N 082 00 $a 734 $2 23 100 1 $a Taubert, Johannes, $e author. $0 http://id.loc.gov/authorities/names/no2015002415 240 10 $a Farbige Skulpturen. $l English 245 10 $a Polychrome sculpture : $b meaning, form, conservation / $c Johannes Taubert ; edited with an introduction by Michele D. Marincola ; translated from the German by Carola Schulman. 264 1 $a Los Angeles, California : $b Getty Conservation Institute, $c [2015] 300 $a xiv, 234 pages : $b illustrations (some color) ; $c 27 cm 546 $a Translated from the original German into English. 520 $a "A translation into English of an important work, originally published in German in the 1970s, on the making and meaning of European medieval and Baroque painted wood sculpture. It combines scientific analysis of materials with an art-historical appreciation of form and function, an approach that has led to the development of technical art history as practiced today"--Provided by publisher. 504 $a Includes bibliographical references (page 212-215) and index. 505 00 $t On technical results and problems of restoration -- $r E. Oellermann -- $t Editor's introduction / $r Michele D. Marincola -- $t Note to the reader -- $t Foreward / $r Paul Philippot -- $g Part 2 $t Art historical questions -- $t Introduction: plastic form and color -- $t The polychromy of Romanesque sculptures -- $t Relics and repositories for relics in sculptures -- $t On the artistic unity of form and color in sculpture (Gothic sculptures) -- $t Medieval crucifixes with movable arms: a contribution to the question of the liturgical use of sculpture -- $t On the imitation of textile structures in Late Gothic polychromy and panel painting / $r E. Oellermann -- $t The Annunciation of the Rosary by Veit Stoà in Nuremberg -- $t On the surface and finish of so-called unpainted Late Gothic wooden sculpture -- $t On the surface and finish of the Castulus Reliefs by Hans Leinberger -- $t The polychromy of Rococo sculptures in Southern Germany -- $g Part 2 $t On technical results and problems of restoration -- 505 00 $t On the form of the Herlin Altarpiece / $t On the restoration of sculptures -- $t On the restoration of the Forstenried Crucifix / $r J. Taubert and K.-W. Bachmann -- $t The restoration of Late Gothic altarpiece shrines: an art historical problem -- $t Friedrich Herlin's NoÌrdlingen Altarpiece of 1462 -- $t Report of findings -- $t Description of the polychromy of the sculptures, the restoration, and the retouching / $r F. Buchenrieder -- $t On the woodworking of the sculptures and on the construction and polychromy of the shrine housing of the NoÌrdlingen Altarpiece / $r K.-W. Bachmann -- $t The Baroque altarpiece after restoration -- $t Friedrich Herlin's Rothenburg Altarpiece and its restoration -- $t Description, history, and restoration of the altarpiece -- $t The construction and genesis of the altarpiece / $r K.-W. Bachmann -- $t The polychromy of the altarpiece / $r E. Oellermann -- $t On the form of the Herlin Altarpiece / $r J. Taubert and K.-W. Bachmann -- 505 00 $t On the restoration of the Crucifix by Ignaz GuÌnther in Altmannstein. 650 0 $a Sculpture, Medieval $x Conservation and restoration $z Europe. 650 0 $a Sculpture, European $x Conservation and restoration. 650 0 $a Wood-carving $x Conservation and restoration $z Europe. 650 0 $a Polychromy $x Conservation and restoration $z Europe. 650 7 $a Polychromy $x Conservation and restoration. $2 fast $0 (OCoLC)fst01070362 650 7 $a Sculpture, European $x Conservation and restoration. $2 fast $0 (OCoLC)fst01109657 650 7 $a Sculpture, Medieval $x Conservation and restoration. $2 fast $0 (OCoLC)fst01109781 650 7 $a Wood-carving $x Conservation and restoration. $2 fast $0 (OCoLC)fst01179462 651 7 $a Europe. $2 fast $0 (OCoLC)fst01245064 650 7 $a TraÌskulptur. $2 sao 650 7 $a MaÌlarkonst. $2 sao 650 7 $a Konservering (museiteknik) $2 sao 651 4 $a Europa. 648 7 $a Medeltiden $2 sao 655 7 $a Geschiedenis (vorm) $2 gtt $0 (NL-LeOCL)088143147 650 17 $a Polychromie. $2 gtt $0 (NL-LeOCL)078632218 650 17 $a Plastieken. $2 gtt $0 (NL-LeOCL)078446295 700 1 $a Marincola, Michele D., $e editor. $0 http://id.loc.gov/authorities/names/no2014083655 700 1 $a KleinstuÌck-Schulman, Carola, $e translator. $0 http://id.loc.gov/authorities/names/nr99016566 765 08 $i Translation of: $a Taubert, Johannes. $t Farbige Skulpturen. $d MuÌnchen : Callwey, 1978 $z 3766704281 $w (OCoLC)4557234 $w (OCoLC)4557234 941 $a 1 952 $l OVUX522 $d 20191214012617.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3EE1FF74ED3011E78644BA0B97128E48Initiate Another SILO Locator Search