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03692atm a2200481 i 4500 001 D700803EEAE411E387729F9EDAD10320 003 SILO 005 20140603010131 008 130424t20142014njua b 001 0 eng 010 $a 2013013406 020 $a 0813562619 (pbk.) 020 $a 9780813562612 (pbk.) 020 $a 0813562627 (hbk.) 020 $a 9780813562629 (hbk.) 035 $a (OCoLC)840803748 040 $a DLC $e rda $b eng $c DLC $d IG# $d YDXCP $d OCLCO $d BDX $d OCLCO $d MUU $d CDX $d BUF $d SILO 043 $a n-us-ca $a n-us-ca 050 00 $a PN1993.5.E8 $b P65 2014 082 00 $a 302.2/34309409045 $2 23 084 $a PER004030 $2 bisacsh 100 1 $a Prime, Rebecca, $d 1974- 245 10 $a Hollywood exiles in Europe : $b the blacklist and Cold War film culture / $c Rebecca Prime. 246 1 $a Blacklist and Cold War film culture 264 1 $a New Brunswick, New Jersey : $b Rutgers University Press, $c 2014 300 $a x, 258 pages : $b illustrations ; $c 23 cm 490 1 $a New directions in international studies 504 $a Includes bibliographical references (pages 183-237) and index. 505 0 $a Introduction -- The radical community in Hollywood -- Life on the blacklist: production and politics in postwar Europe -- The blacklist and "runaway" production -- The blacklist, exile, and the transatlantic noir -- Cosmopolitan visions, Cold War fears -- Blacklisted directors, art cinema, and the caprices of film criticism -- The legacy of the blacklist. 520 $a "Documents the untold story of the American directors, screenwriters, and actors who emigrated to Europe as a result of the Hollywood blacklist. During the 1950s and early 1960s, these Hollywood exiles directed, wrote, or starred in almost 100 European productions, their contributions ranging from crime film masterpieces like Du rififi chez les hommes (dir. Jules Dassin, 1955) to international blockbusters such as The Bridge on the River Kwai (scr. Carl Foreman and Michael Wilson, 1957) to acclaimed art films like The Servant (dir. Joseph Losey, 1963). At once a lively portrait of a lesser-known American "lost generation" and an examination of an important transitional moment in European cinema, the book presents a compelling argument for the significance of the blacklisted exiles to our understanding of postwar American and European cinema and Cold War cultural relations. The experiences of the blacklisted in Europe not only suggest the need to rethink our understanding of the Hollywood blacklist as a purely domestic phenomenon, but, by shedding new light on European cinema's changing relationship with Hollywood, illuminates the postwar shift from national to "transnational" cinema"-- $c Provided by publisher. 650 0 $a Expatriate motion picture producers and directors $z Europe $x History $y 20th century. 650 0 $a Expatriate motion picture actors and actresses $z Europe $x History $y 20th century. 650 0 $a Motion picture actors and actresses $z United States $x History $y 20th century. 650 0 $a Motion picture industry $x History $z Europe $x History $y 20th century. 650 0 $a Motion picture industry $x History $z Los Angeles $z Los Angeles $x History $y 20th century. 650 0 $a Blacklisting of entertainers $z United States $x History $y 20th century. 650 0 $a Blacklisting of authors $z United States $x History $y 20th century. 650 0 $a Cold War $x Influence. 650 7 $a PERFORMING ARTS / Film & Video / History & Criticism. $2 bisacsh 830 0 $a New directions in international studies. 941 $a 2 952 $l OVUX522 $d 20190314015141.0 952 $l UXAX826 $d 20150515015332.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D700803EEAE411E387729F9EDAD10320Initiate Another SILO Locator Search