The Locator -- [(subject = "Impressionism Art--France--Exhibitions")]

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001 806FD38A6CA011E9A39CB90697128E48
003 SILO
005 20190502010142
008 180731s2019    txua     b    000 0 eng d
020    $a 0912804564
020    $a 9780912804569
020    $a 0300243251
020    $a 9780300243253
035    $a (OCoLC)1046472365
040    $a YDX $b eng $c YDX $d OCLCQ $d ERASA $d YUS $d OCLCO $d WW9 $d YDX $d OCLCO $d CDX $d BDX $d SFR $d PAU $d OCLCO $d INU $d VOD $d OCLCO $d OCLCF $d SILO
043    $a e-fr---
050  4 $a ND553 M7 A4 2019
100 1  $a Shackelford, George T. M., $d 1955- $e author.
245 10 $a Monet : $b the late years / $c George T.M. Shackelford ; with essays by Claire M. Barry, Simon Kelly, Emma Cauvin, Marianne Mathieu.
264  1 $a Fort Worth, Texas : $b Kimbell Art Museum, $c 2019.
300    $a 214 pages : $b illustrations (chiefly color) ; $c 29 cm
500    $a Catalog of an exhibition at Fine Arts Museums of San Francisco, February 16--May 27, 2019; and Kimbell Art Museum, Fort Worth, Texas, June 16--September 15, 2019.
504    $a Includes bibliographical references (pages 208-209).
505 0  $a Introduction: The reinvention of Monet / George T. M. Shackelford -- "Color is my day-long obsession": Monet's late painting materials and techniques, 1914-1926 / Claire M. Barry -- "My four best series": Monet's panorama at the Hôtel Biron / Simon Kelly -- The late Monet and his critics: Water Lilies, "Cunning mirrors on paradise" / Emma Cauvin -- The Grandes Décorations from Claude to Michel Monet (1914-1966) / Marianne Mathieu -- Claude Monet: a summary chronology, 1909-1926 / George T. M. Shackelford -- Catalogue / George T. M. Shackelford.
520    $a In the later years of his life, Claude Monet (1840-1926) stayed close to home, turning to his extraordinary garden at Giverny for inspiration. The garden became a laboratory for the artist's concentrated study of natural phenomena-and for a revolutionary shift in the appearance and execution of his paintings. This beautiful publication examines the last phase of Monet's career, beginning in 1913, bringing together approximately 60 of his greatest works from this period. More specifically, Monet: The Late Years focuses on the series that Monet invented and reinvented at Giverny, reevaluating many large-scale works that have long been considered preparatory studies, reexamining their relationship to and status as finished works. Essays by a roster of distinguished scholars address topics such as Monet's plans for displaying his late paintings, the mechanics of his painting technique, and the critical and market reception of these works. Through this visually stunning reassessment, Monet's late works, still astonishing a century later, recast the titan of Impressionism as a radical modern painter.
600 10 $a Monet, Claude, $d 1840-1926 $v Exhibitions.
600 17 $a Monet, Claude, $d 1840-1926. $2 fast $0 (OCoLC)fst00035642
650  0 $a Impressionism (Art) $z France $v Exhibitions.
650  0 $a Painting, French $y 19th century $v Exhibitions.
651  0 $a Giverny (France) $v In art.
700 1  $a Barry, Claire M., $e author.
700 1  $a Kelly, Simon $q (Simon R.), $e author.
700 1  $a Cauvin, Emma, $e author.
700 1  $a Mathieu, Marianne, $e author.
710 2  $a Fine Arts Museums of San Francisco, $e host institution.
710 2  $a Kimbell Art Museum, $e host institution.
941    $a 2
952    $l USUX851 $d 20220706020556.0
952    $l OVUX522 $d 20191211022217.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=806FD38A6CA011E9A39CB90697128E48
994    $a C0 $b IWA

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