The Locator -- [(subject = "Motion pictures British")]

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02840aam a2200373Ii 4500
001 F04A3C5E101A11EA8DA14E4D97128E48
003 SILO
005 20191126010151
008 180527t20182018sz a     b    001 0 eng d
010    $a 2018954345
020    $a 9783319948027
020    $a 3319948024
035    $a (OCoLC)1037810419
035    $a (OCoLC)1078940444
040    $a YDX $b eng $e rda $c YDX $d EAU $d OCLCF $d CBY $d TFW $d NUI $d UtOrBLW $d SILO
050  4 $a PN1993.5.G7 $b M59 2018
082 04 $a 791.430941 $2 23
100 1  $a Moody, Paul, $e author. $0 http://id.loc.gov/authorities/names/nb2010000984
245 10 $a EMI films and the limits of British cinema / $c Paul Moody.
264  1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2018]
300    $a x, 220 pages : $b illustrations ; $c 22 cm
504    $a Includes bibliographical references (pages 209-212) and index.
505 0  $a Introduction -- And soon the darkness -- Elstree falling -- Mr. Forbes and the pen-pushers -- All the way up -- The likely lad -- Trick or treat? -- American adventure -- Honky tonk filmmaking -- Memoirs of a survivor -- Conclusion -- Selected bibliography -- Index.
520 8  $a This book is the first of its kind to trace the development of one of the largest and most important companies in British cinema history, EMI Films. From 1969 to its eventual demise in 1986, EMI would produce many of the key works of seventies and eighties British cinema, ranging from popular family dramas like The Railway Children (Lionel Jeffries, 1970) through to critically acclaimed arthouse successes like Britannia Hospital (Lindsay Anderson, 1982). However, EMI's role in these productions has been recorded only marginally, as footnotes in general histories of British cinema. The reasons for this critical neglect raise important questions about the processes involved in the creation of cultural canons and the definition of national culture. This book argues that EMI's amorphous nature as a transnational film company has led to its omission from this history and makes it an ideal subject to explore the 'limits' of British cinema.
610 20 $a EMI (Firm) $0 http://id.loc.gov/authorities/names/no97009953
610 27 $a EMI (Firm) $2 fast $0 (OCoLC)fst01532041
650  0 $a Motion pictures, British $x History and criticism $y 20th century.
650  7 $a Motion pictures, British. $2 fast $0 (OCoLC)fst01027489
648  7 $a 1900-1999 $2 fast
655  7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635
776 08 $i Electronic version: $a Moody, Paul. $t EMI films and the limites of British cinema. $d Cham : Palgrave Macmillan, 2018 $z 9783319948034 $w (OCoLC)1057550176
941    $a 1
952    $l OVUX522 $d 20191126021016.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F04A3C5E101A11EA8DA14E4D97128E48

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