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03466aam a2200481 i 4500 001 C852F0EE68DD11EA9C5A9E4D97128E48 003 SILO 005 20200318010024 008 190702s2020 enka b 001 0 eng 010 $a 2019028593 020 $a 1108488072 020 $a 9781108488075 035 $a (OCoLC)1101039412 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d UKMGB $d YDX $d TJC $d SILO 042 $a pcc 043 $a e-it--- 050 00 $a ML1433.2 $b .W55 2020 100 1 $a Wilson, Blake McDowell, $e author. 245 10 $a Singing to the lyre in Renaissance Italy : $b memory, performance, and oral poetry / $c Blake Wilson. 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2020. 300 $a xii, 473 pages : $b illustrations, music ; $c 26 cm 504 $a Includes bibliographical references (pages 423-460) and index. 505 0 $a Part I : The canterino tradition. Early history : Ioculatores and Giullari ; The trecento canterino ; The canterino in the fifteenth century -- Part II : Cantare ad lyrum : the humanist tradition. Florence : from canterino to cantare ad lyram ; Cantare ad lyram and humanist education ; Cantare ad lyram in the courts ; Rome : Cantare ad lyram at the summit ; Epilogue : The sixteenth century. 520 $a "A primary mode for the creation and dissemination of poetry in Renaissance Italy was the oral practice of singing and improvising verse to the accompaniment of a stringed instrument. Singing to the Lyre is the first comprehensive study of this ubiquitous practice, which was cultivated by performers ranging from popes, princes, and many artists, to professionals of both mercantile and humanist background. Common to all was a strong degree of mixed orality based on a synergy between writing and the oral operations of memory, improvisation, and performance. As a cultural practice deeply rooted in language and supported by ancient precedent, cantare ad lyram (singing to the lyre) is also a reflection of Renaissance cultural priorities, including the status of vernacular poetry, the study and practice of rhetoric, the oral foundations of humanist education, and the performative culture of the courts reflected in theatrical presentations and Castiglione's Il cortegiano"-- $c Provided by publisher. 650 0 $a Vocal music $z Italy $y 15th century $x History and criticism. 650 0 $a Vocal music $z Italy $y 500-1400 $x History and criticism. 650 0 $a Italian poetry $y 15th century $x History and criticism. 650 0 $a Italian poetry $y To 1400 $x History and criticism. 650 0 $a Folk poetry, Italian $x History and criticism. 651 0 $a Italy $x Civilization $y 1268-1559. 650 0 $a Humanism $z Italy. 650 7 $a Civilization. $2 fast $0 (OCoLC)fst00862898 650 7 $a Folk poetry, Italian. $2 fast $0 (OCoLC)fst00929535 650 7 $a Humanism. $2 fast $0 (OCoLC)fst00963520 650 7 $a Italian poetry. $2 fast $0 (OCoLC)fst00980715 650 7 $a Vocal music. $2 fast $0 (OCoLC)fst01168379 651 7 $a Italy. $2 fast $0 (OCoLC)fst01204565 648 7 $a To 1559 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Online version: $a Wilson, Blake, 1952- $t Singing to the lyre in renaissance italy $b 1. $d New York : Cambridge University Press, 2019. $z 9781108768887 $w (DLC) 2019028594 941 $a 1 952 $l OVUX522 $d 20220317014821.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C852F0EE68DD11EA9C5A9E4D97128E48Initiate Another SILO Locator Search