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03442aam a2200397Ii 4500 001 C3A77252FE2B11EAA9C7A44D1FECA4DB 003 SILO 005 20200924010052 008 190909s2020 enka b 001 0 eng d 020 $a 9781857096569 020 $a 1857096568 035 $a (OCoLC)1117638110 040 $a YDX $b eng $e rda $c YDX $d YDXIT $d OCLCF $d CHVBK $d OCLCO $d TOH $d FNE $d OCLCQ $d NZAUC $d SILO 050 4 $a ND623.G364 $b A4 2020 082 04 $a 759.5 $2 23 100 1 $a Treves, Letizia, $e author. 245 10 $a Artemisia / $c Letizia Treves ; with contributions by Sheila Barker [and 5 others]. 264 1 $a London : $b National Gallery Company, $c 2020. 300 $a 256 pages : $b illustrations (chiefly color) ; $c 31 cm 500 $a Published to accompany the exhibition "Artemisia", The National Gallery, London, 4 April -26 July 2020. 504 $a Includes bibliographical references and index. 520 8 $a Artemisia Gentileschi (1593-1654 or later) is the most celebrated woman artist of the baroque period in Italy. Her career spanned more than 40 years, as she moved between Rome, where she was raised and trained by her father, Orazio Gentileschi, to Florence, where she gained artistic independence and became the first female member of the city's academy of artists, and to Venice, London, and Naples. Often featuring heroic female subjects, her paintings were predominantly intended for private clients. Today they are recognized for their dramatic power and originality, showing Artemisia to be one of the most compelling storytellers of her time. This beautiful book includes essays on her life and career; a discussion of her personal and artistic relationship with her father; a summary of critical writings and an overview of the wide range of approaches to Artemisia's work since her rediscovery by feminist art historians more than 50 years ago; a more personal insight into Artemisia through her letters; a discussion of the artist's self-representation in her work; and an essay dedicated to her painting technique. Exhibition: National Gallery, London, UK (04.04.-26.06.2020). 505 0 $a Artemisia Gentileschi: La Pittora / Elizabeth Cropper -- Orazio and Artemisia: From 'such an ugly deed' to 'honours and favours' at the English court / Patrizia Cavazzini -- 'Bella, pulita, e senza macchia': Artemisia and her letters / Francesco Solinas -- Artemisia portraying her self / Letizia Treves -- The muse of history: Artemisia Gentileschi's first four centuries of immortal fame / Sheila Barker -- Looking at Artemisia / Larry Keith -- Catalogue -- Notes to the catalogue -- Bibliography -- Chronology / Francesca Whitlum-Cooper. 600 10 $a Gentileschi, Artemisia, $d 1593-1652 or 1653 $v Exhibitions. 600 17 $a Gentileschi, Artemisia, $d 1593-1652 or 1653. $2 fast $0 (OCoLC)fst01820189 600 17 $a Gentileschi, Artemisia $d 1593-1653 $2 gnd 650 0 $a Painting, Italian $y 17th century $y 17th century $v Exhibitions. 650 0 $a Art, Italian $y 17th century $y 17th century $v Exhibitions. 650 7 $a ART $x European. $2 bisacsh 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a Exhibitions. $2 lcgft 700 12 $a Gentileschi, Artemisia, $d 1593-1652 or 1653. $t Works. $k Selections. 710 2 $a National Gallery (Great Britain), $e host institution. 941 $a 1 952 $l OVUX522 $d 20220317032007.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C3A77252FE2B11EAA9C7A44D1FECA4DBInitiate Another SILO Locator Search