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03502aam a2200493 i 4500 001 DBF04042AE9011EDA0B1416654ECA4DB 003 SILO 005 20230217010059 008 220109t20222022enka b 001 0 eng 010 $a 2021057254 020 $a 1032001739 020 $a 9781032001739 020 $a 1032001712 020 $a 9781032001715 035 $a (OCoLC)1286147215 040 $a LBSOR/DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d NYP $d YDX $d EAU $d IaU $d SILO 042 $a pcc 050 00 $a PN2058 $b .C357 2022 082 00 $a 792.02/8019 $2 23/eng/20220318 100 1 $a Campo, Giuliano, $d 1970- $e author. 245 10 $a Acting the essence : $b the performer's work on the self / $c Giuliano Campo. 264 1 $a New York : $b Routledge, Taylor & Francis Group, $c 2022. 300 $a xii, 207 pages : $b illustrations ; $c 23 cm 520 $a "Acting the Essence examines the theory, practice and history of the art of the performer from the perspective of its inner nature as work on oneself, within, around and beyond the pedagogy of the actor. Reflecting primarily on the legacy of Jerzy Grotowski, this book is composed of a series of reflections on the Stanislavskian lineage of practitioners and related authors, in an attempt to renovate awareness of the original path traced by the Russian master and to refine certain ambiguities in contemporary training. In a new media age of image and sound, accompanied by a proliferation of new technologies and means to communicate, emphasised by the COVID-19 crisis, a classical question comes to interrogate us again: what is the essence and the principal objective of the work of the performer? Is performing art still necessary? While proposing a theoretical advancement of the discipline and an historical overview of the relevant practices, this book provides tools for a better understanding of the traditional function of the performer's practice as work on the self, for its ecological renaissance through a conscient use of trance, attention and altered states of consciousness. This book offers insight for students in Drama, Theatre, and Performance courses studying acting and performance at university"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction. Acting with bad intentions -- The work on one's self in Stanislavski's lineage -- Grotowski from theatre to ritual arts -- Performances and altered states of consciousness (ASC). An overview -- Trance, possession and acting -- Pirandello's actor -- Simone Weil, performance and attention. 650 0 $a Actors $x Psychology. 650 0 $a Acting $x Psychological aspects. 650 0 $a Acting $x Philosophy. 650 0 $a Acting $x History. 650 0 $a Self. 650 2 $a Ego $0 (DNLM)D004532 650 7 $a Acting. $2 fast $0 (OCoLC)fst00796146 650 7 $a Acting $x Philosophy. $2 fast $0 (OCoLC)fst00796155 650 7 $a Acting $x Psychological aspects. $2 fast $0 (OCoLC)fst00796157 650 7 $a Actors $x Psychology. $2 fast $0 (OCoLC)fst00796312 650 7 $a Self. $2 fast $0 (OCoLC)fst01111441 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Campo, Giuliano, 1970- $t Acting the essence $d Abingdon, Oxon ; New York, NY : Routledge, 2022 $z 9781003173076 $w (DLC) 2021057255 941 $a 3 952 $l OVUX522 $d 20231117021011.0 952 $l USUX851 $d 20231004011700.0 952 $l PLAX964 $d 20230718100359.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DBF04042AE9011EDA0B1416654ECA4DBInitiate Another SILO Locator Search