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03771aam a2200469 i 4500 001 D00F42DA141211EF8F56A7732FECA4DB 003 SILO 005 20240517010047 008 230407s2023 sz a b 001 0 eng d 020 $a 9783031324901 020 $a 3031324900 035 $a (OCoLC)1375060331 040 $a YDX $b eng $e rda $c YDX $d UKMGB $d BDX $d OCLCF $d OCLCQ $d YDX $d OHX $d OCLCO $d OCLCL $d NUI $d SILO 050 4 $a PR6045.O72 $b J46 2023 082 04 $a 823.912 $2 23 100 1 $a Jenkins, Amber, $e author. 245 10 $a Virgina Woolf, literary materiality and feminist aesthetics : $b from pen to print / $c Amber Jenkins. 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, an imprint of Springer Nature Switzerland, $c [2023] 300 $a xix, 205 pages : $b illustrations ; $c 22 cm. 490 0 $a Material modernisms 520 $a "This book interrogates the relationship between the material conditions of Woolf's writing practices and her work as a printer and publisher at the Hogarth Press. In bringing to light her embodied literary processes, from drafting and composition to hand-printing and binding, this study foregrounds the interactions between Woolf's modernist experimentation and the visual and material aspects of her printed works. By drawing on the field of print culture, as well as the materialist turn in Woolf scholarship, it explores how her experience in print, book-design and publishing underlines her experimental writing, and 520 $a how her literary texts are conditioned by the context of their production. This book, therefore, provides new ways of reading Woolf's modernism in the context of twentieth-century print, material, and visual cultures. By suggesting that Woolf's work at the Hogarth Press sensitized her to the significant role the visual aspects of a text play in its system of representation, it also considers the extent to which materiality informs both her work, as well as her engagement with Bloomsbury formalist aesthetics, which often exaggerate the distinction between visual and verbal modes of expression." -- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Part I: Materiality -- 1. Introduction: Writing, Materiality, and Aesthetics -- 2. Conversations in Colour and Ink: Feminist Aesthetics in The Mark on the Wall and Kew Gardens -- 3. Fill in the sketch as you like: Developing the Fragmentary Form of Jacobs Room -- 4. The cold raw edge of ones relinquished pages: Reading Mrs Dalloway as a Palimpsest -- Part II. Aesthetics -- 5. Drafting Mrs Ramsay and Lily Briscoe: Feminist Aesthetics in the Manuscript of To the Lighthouse -- 6. A succession of semblances: Form and Feminism in The Waves -- 7. Getting the past to shadow this broken surface: Time, Materiality, and Aesthetics. 600 10 $a Woolf, Virginia, $d 1882-1941 $x Criticism and interpretation. 600 17 $a Woolf, Virginia, $d 1882-1941 $2 fast $1 https://id.oclc.org/worldcat/entity/E39PBJqKgYt3RrY4vtrh9j9CcP $0 (OCoLC)fst00033879 610 20 $a Hogarth Press $1 https://isni.org/isni/0000000107068671 610 27 $a Hogarth Press $2 fast $0 (OCoLC)fst00601342 650 0 $a Authorship. 650 0 $a Publishers and publishing. 650 0 $a Printing. 650 0 $a Aesthetics. 650 0 $a Criticism. 650 7 $a Aesthetics $2 fast $0 (OCoLC)fst00798702 650 7 $a Authorship $2 fast $0 (OCoLC)fst00822442 650 7 $a Printing $2 fast $0 (OCoLC)fst01076612 650 7 $a Publishers and publishing $2 fast $0 (OCoLC)fst01083463 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i ebook version : $z 9783031324918 941 $a 1 952 $l OVUX522 $d 20240517010353.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=D00F42DA141211EF8F56A7732FECA4DBInitiate Another SILO Locator Search