The Locator -- [(subject = "Painting Chinese")]

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03739aam a22005058i 4500
001 F5F2A59256B111EEB3013A8641ECA4DB
003 SILO
005 20230919010045
008 230202t20232023mau      b    001 0 eng  
010    $a 2023004965
020    $a 0674293746
020    $a 9780674293748
035    $a (OCoLC)1369679936
040    $a MH/DLC $b eng $e rda $c DLC $d OCLCF $d YDX $d PIT $d SILO
042    $a pcc
043    $a a-cc---
050 00 $a ND1043.4 $b .M39 2023
066    $c $1
082 00 $a 759.951/09021 $2 23/eng/20230309
100 1  $a McNair, Amy, $e author.
245 14 $a The painting master's shame : $b Liang Shicheng and the Xuanhe catalogue of paintings / $c Amy McNair.
264  1 $a Cambridge, Massachusetts ; $b Harvard University Asia Center, $c 2023.
300    $a x, 257 pages : $b illustrations ; $c 24 cm
490 1  $a Harvard-Yenching Institute monograph series; $v 139
504    $a Includes bibliographical references and index.
505 00 $t Liang Shicheng and the Authorship of the Catalogue. $t In Late Northern Song -- $t The Audiences and Early Uses of the Catalogue -- $t Constructing the Biographies, Establishing the Painting Master Narreme -- $t Su Shi and Scholar-Amateur Painting Theory in the Catalogue -- $t Li Gonglin and Anxiety about Amateur Status -- $t Eunuch Officials as Painters, Fathers, and Sons -- $t Liang Shicheng and the Authorship of the Catalogue.
520    $a "Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100-1126), McNair argues instead that it was compiled under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social status from that of despised menial to educated elite, had privileged access to the emperor and palace. McNair's study, which is based on her translation and extensive analysis of the text of the Xuanhe Catalogue of Paintings, offers a definitive argument for the authorship of this major landmark in Chinese painting criticism and clarifies why and how it was compiled. The book describes the remarkable circumstances of the period around 1120, when the catalogue was written. The political struggles over the New Policies, the promotion of the "scholar amateur" ideal in painting criticism and practice, and the rise of eunuch court officials as a powerful class converged to allow those officials the unprecedented opportunity to enhance their prestige through scholarly activities and politics. McNair analyzes the catalogue's central polemical narrative-the humiliation of the high-ranking minister mistakenly called by the lowly title Painting Master-as the key to understanding Liang Shicheng's methods and motives."-- $c Provided by publisher.
600 10 $6 880-01 $a Liang, Shicheng, $d approximately 1063-1126.
880 14 $6 600-01/$1 $a Ø̆ı̄±˜̆, $d approximately 1063-1126.
630 00 $a Xuanhe hua pu $x Authorship.
650  0 $a Painting, Chinese $y Song-Yuan dynasties, 960-1368.
650  0 $a Eunuchs $z China $x History $y To 1500.
651  0 $a China $x Politics and government $y 960-1279.
650  7 $a Authorship. $2 fast $0 (OCoLC)fst00822442
650  7 $a Eunuchs. $2 fast $0 (OCoLC)fst00916500
650  7 $a Painting, Chinese $x Song-Yuan dynasties. $2 fast $0 (OCoLC)fst01907130
650  7 $a Politics and government. $2 fast $0 (OCoLC)fst01919741
651  7 $a China. $2 fast $0 (OCoLC)fst01206073
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
648  7 $a To 1500 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
830  0 $a Harvard-Yenching Institute monograph series ; $v 139.
941    $a 1
952    $l OVUX522 $d 20231117024726.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F5F2A59256B111EEB3013A8641ECA4DB

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