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03383aam a2200397 i 4500 001 28B9A0DAD98A11E78F813B5397128E48 003 SILO 005 20171205010050 008 170713s2018 nyua b 001 0 eng 010 $a 2017018652 020 $a 1138244066 (alk. paper) 020 $a 9781138244061 (alk. paper) 035 $a (OCoLC)975369245 040 $a DLC $b eng $e rda $c DLC $d BTCTA $d YDX $d OCLCO $d BDX $d OCLCF $d NDD $d YUS $d IWA $d SILO 042 $a pcc 050 00 $a PN56 S7357 S763 2018 245 00 $a Storytelling and ethics : $b literature, visual arts and the power of narrative / $c edited by Hanna Meretoja and Colin Davis. 246 30 $a Literature, visual arts and the power of narrative 264 1 $a New York ; $b Routledge, $c 2018. 300 $a x, 314 pages : $b illustrations ; $c 24 cm. 490 1 $a Routledge interdisciplinary perspectives on literature ; $v 80 504 $a Includes bibliographical references and index. 520 $a "In recent years there has been a huge amount of both popular and academic interest in storytelling as something that is an essential part of not only literature and art but also our everyday lives as well as our dreams, fantasies, aspirations, historical self-understanding, and political actions. The question of the ethics of storytelling always lurks behind these discussions, though most frequently it remains implicit rather than explicit. This volume explores the ethical potential and risks of storytelling from an interdisciplinary perspective. It stages a dialogue between contemporary literature and visual arts across media (film, photography, performative arts), interdisciplinary theoretical perspectives (debates in narrative studies, trauma studies, cultural memory studies, ethical criticism), and history. The collection analyses ethical issues involved in different strategies employed in literature and art to narrate experiences that resist telling and imagining, such as traumatic historical events, including war and political conflicts. The chapters explore the multiple ways in which the ethics of storytelling relates to the contemporary arts as they work with, draw on, and contribute to historical imagination. The book foregrounds the connection between remembering and imagining and explores the ambiguous role of narrative in the configuration of selves, communities, and the relation to the non-human. Making an original contribution to interdisciplinary narrative studies and narrative ethics, this book both articulates a complex understanding of how artistic storytelling practices enable critical distance from culturally dominant narrative practices, and analyzes the limitations and potential pitfalls of storytelling" -- $c Provided by publisher. 650 0 $a Storytelling. 650 0 $a Narration (Rhetoric) $x Moral and ethical aspects. 650 0 $a Narration (Rhetoric) $x Social aspects. 650 0 $a Narration (Rhetoric) $x Psychological aspects. 650 0 $a Ethics in literature. 650 0 $a Arts $x Moral and ethical aspects. 700 1 $a Meretoja, Hanna, $d 1977- $e author. $e author. 700 1 $a Davis, Colin, $d 1960- $e author. $e author. 830 0 $a Routledge interdisciplinary perspectives on literature ; $v 80. 941 $a 1 952 $l USUX851 $d 20240717022932.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=28B9A0DAD98A11E78F813B5397128E48 994 $a C0 $b IWAInitiate Another SILO Locator Search