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03199aam a2200385 i 4500 001 583D19C4527411EC8E4D38A14AECA4DB 003 SILO 005 20211201010015 008 190830s2020 miua b 001 0 eng 010 $a 2019039017 020 $a 0472131036 020 $a 9780472131037 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d KBC $d YDX $d TDF $d GYG $d ICV $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML3790 $b .B27 2020 082 00 $a 384 $2 23 100 1 $a Barnett, Kyle, $e author. 245 10 $a Record cultures : $b the transformation of the U.S. recording industry / $c Kyle Barnett. 264 1 $a Ann Arbor : $b University of Michigan Press, $c [2020] 300 $a x, 320 pages : $b illustrations ; $c 24 cm 504 $a Includes bibliographical references and index. 505 00 $t "The Trademark Dog's Stubby Tail" : Depression and Resurgence. $t "What Do You Think about Jazz?" : Niche Genres and Recording Culture -- $t "Are These Not Great Artists?" : Race Records and Genre Discourse -- $t "Uninvited and Unannounced" : Old Time Music and Radio -- $t "On with the Dance" : Media Industries' Jazz-Age Convergence -- $t "The Trademark Dog's Stubby Tail" : Depression and Resurgence. 520 $a "The 1920s was a crucial decade for the recording industry. Large record companies existed, but across the nation there were dozens of small, independently owned and regionally-oriented labels like Black Swan, Champion, Paramount, Gennett, Starr, Okeh, and others which catered to specific genres and audiences that were at the time outside the commercial mainstream: jazz, "race records," "old time" or "hillbilly" music, local religious music traditions, and exotica from abroad that the metropolitan record companies did not-yet-see as profitable. Kyle Barnett's book seeks to tell the story of the first big wave of consolidation of the record industry, when larger labels began to take an interest in what the smaller labels were doing, the growing pains that resulted in mainstream companies having to adapt their culture to promoting artists from the margins-poor or working class "hillbillies," African-Americans-and how the coming of the Depression threatened to turn back the clock of the industry's growth. In hindsight, the evolution of the recording industry toward consolidation looks inevitable, but there is no good, synthetic history of this crucial period that gives due credit to the development of the industry, both commercially and culturally"-- $c Provided by publisher. 650 0 $a Sound recording industry $z United States $x History. 650 0 $a Popular music $x History. $z United States $x History. 650 7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460 650 7 $a Sound recording industry. $2 fast $0 (OCoLC)fst01127019 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Barnett, Kyle, $t Record cultures $d Ann Arbor : University of Michigan Press, 2020. $z 9780472124312 $w (DLC) 2019039018 941 $a 1 952 $l UQAX771 $d 20211201010450.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=583D19C4527411EC8E4D38A14AECA4DB 994 $a C0 $b JIDInitiate Another SILO Locator Search