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03541aam a2200409 i 4500 001 55A9E05C1BE411EA82BF083097128E48 003 SILO 005 20191211010111 008 181120t20192019onca b 001 0 eng 020 $a 1487504888 020 $a 9781487504885 035 $a (OCoLC)1065729921 040 $a NLC $b eng $e rda $c YDX $d OCLCQ $d NLC $d OCLCF $d ZYU $d YDX $d MNN $d NUI $d UtOrBLW $d SILO 043 $a e-sp--- $0 http://id.loc.gov/vocabulary/geographicAreas/e-sp 050 4 $a PN1993.5.S7 $b T56 2019 055 0 $a PN1993.5.S7 $b T56 2019 082 0 $a 791.430946 $2 23 084 $a cci1icc $2 lacc 100 1 $a Thomas, Sarah, $d 1982- $e author. $0 http://id.loc.gov/authorities/names/no2019050304 245 10 $a Inhabiting the in-between : $b childhood and cinema in Spain's long transition / $c Sarah Thomas. 264 1 $a Toronto ; $b University of Toronto Press, $c [2019] 300 $a xii, 240 pages : $b illustrations ; $c 24 cm. 490 1 $a Toronto Iberic 520 $a "Although children have proliferated in Spain's cinema since its inception, nowhere are they privileged and complicated in quite the same way as in the films of the 1970s and early 1980s, a period of radical political and cultural change for the nation as it emerged from almost four decades of repressive dictatorship under the rule of General Francisco Franco. In Inhabiting the In-Between: Childhood and Cinema in Spain's Long Transition, Sarah Thomas analyzes the cinematic child within this complex historical conjuncture of a nation looking back on decades of authoritarian rule and forward to an uncertain future. Examining films from several genres by four key directors of the Transition--Carlos Saura, Antonio Mercero, ViÌctor Erice, and Jaime de ArminÌaÌn--Inhabiting the In-Between explores how the child is represented as both subject and object, self and other, and consistently cast in a position between categories or binary poles. Its readings demonstrate how the cinematic child that materializes in this period is a fundamentally shifting, oscillating, ambivalent figure that points toward the impossibility of fully comprehending the historical past and the figure of the other, while inviting an ethical engagement with each."-- $c Provided by publisher. 504 $a Includes bibliographical references (pages 221-232) and index. 505 00 $t Betwixt and between : liminal adolescence in Jaime de ArminÌaÌn's El amor del capitaÌn Brando (1974) and El nido (1980). $t Innocent creatures : child as commodity and animal in Mercero's La guerra de papaÌ (1977) and Tobi, el ninÌo con alas (1978) -- $t Oscillating encounters : alignment and foreclosure in ViÌctor Erice's El espiÌritu de la colmena (1973) and El sur (1983) -- $t Betwixt and between : liminal adolescence in Jaime de ArminÌaÌn's El amor del capitaÌn Brando (1974) and El nido (1980). 648 7 $a 1900-1999 $2 fast 650 0 $a Motion pictures $z Spain $x History $y 20th century. 650 0 $a Children in motion pictures. $0 http://id.loc.gov/authorities/subjects/sh85023535 650 7 $a Children in motion pictures. $2 fast $0 (OCoLC)fst00855253 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 651 7 $a Spain. $2 fast $0 (OCoLC)fst01204303 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 830 0 $a Toronto Iberic. $0 http://id.loc.gov/authorities/names/no2012008990 941 $a 1 952 $l OVUX522 $d 20191211022825.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=55A9E05C1BE411EA82BF083097128E48Initiate Another SILO Locator Search