The Locator -- [(subject = "American literature--Hispanic American authors")]

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04074aam a2200565 i 4500
001 85973DF86CA011E9A39CB90697128E48
003 SILO
005 20190502010142
008 180619s2019    nyu      b    001 0 eng  
010    $a 2018020076
020    $a 1438473400
020    $a 9781438473406
020    $a 1438473397
020    $a 9781438473390
035    $a (OCoLC)1049577329
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d BDX $d YDX $d OCLCO $d SILO
042    $a pcc
043    $a n-us---
050 00 $a PS169.L5 $b D38 2019
082 00 $a 810.9/3552 $2 23
100 1  $a Datcher, Michael, $d 1967- $e author.
245 10 $a Animating black and brown liberation : $b a theory of American literatures / $c Michael Datcher.
264  1 $a Albany : $b State University of New York Press, $c [2019]
300    $a viii, 171 pages ; $c 23 cm
504    $a Includes bibliographical references and index.
520    $a "Animating Black and Brown Liberation introduces a vital new tool for reading American literatures. Rooted in both ancient Egyptian ideas about life and cutting-edge theories of animacy, or levels of aliveness, this tool--ankhing--enables Datcher to examine the ways African American and Latinx literatures respond to and ultimately work to resist hegemonic forces of neoliberalism and state-sponsored oppression. Weaving together close readings and politically informed philosophical reflection, Datcher considers the work of writer-activists such as Toni Cade Bambara, Cherríe Moraga, Gloria Anzaldúa, June Jordan, Salvador Perez, and Ishmael Reed, in light of theoretical interventions by Jane Bennett, Mel Y. Chen, Bruno Latour, Michel Foucault, Paulo Freire, and Erica R. Edwards. How, he asks, can cultural production positively influence Black and Brown material conditions and mobilize collective action "off the page"? How can art-based counterpublics provide a foundation for Black and Brown community organizing? What emerges finally from Datcher's innovative analysis is a much-needed account of the links between embodied experiences of racialization, as well as a fresh vision of twentieth and twenty-first century American literature as a repository of emancipatory strategies with real-world applications" -- $c Provided by publisher.
505 0  $a Introduction: Animacy Matters -- Chapter 1. A Matter of Body and Soul in The People of Paper and Mumbo Jumbo -- Chapter 2. Heroes and Hieroglyphics of the Flesh in The Salt Eaters and Heroes and Saints -- Chapter 3. Animating Anthologies and Firing the Canon in This Bridge Called My Back and June Jordan's Poetry for the People -- Chapter 4. Wanda Coleman and Kamau Daáood Sing the Blues for the Black Body -- Coda : The World Stage Moves.
650  0 $a American literature $x Social aspects.
650  0 $a Liberty in literature.
650  0 $a Power (Social sciences) in literature.
650  0 $a Liberalism in literature.
650  0 $a American literature $x History and criticism. $x History and criticism.
650  0 $a American literature $x History and criticism. $x History and criticism.
650  0 $a Agent (Philosophy)
650  0 $a Hegemony $z United States.
650  7 $a Agent (Philosophy) $2 fast $0 (OCoLC)fst00800204
650  7 $a American literature $x African American authors. $2 fast $0 (OCoLC)fst00807114
650  7 $a American literature $x Hispanic American authors. $2 fast $0 (OCoLC)fst00807169
650  7 $a American literature $x Social aspects. $2 fast $0 (OCoLC)fst00807250
650  7 $a Hegemony. $2 fast $0 (OCoLC)fst01202283
650  7 $a Liberalism in literature. $2 fast $0 (OCoLC)fst00997209
650  7 $a Liberty in literature. $2 fast $0 (OCoLC)fst00997282
650  7 $a Power (Social sciences) in literature. $2 fast $0 (OCoLC)fst01074235
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
941    $a 2
952    $l OVUX522 $d 20191214022517.0
952    $l USUX851 $d 20190502025423.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=85973DF86CA011E9A39CB90697128E48
994    $a 92 $b IWA

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