The Locator -- [(subject = "Self-portraits")]

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001 3AA704500B6411EAA467CE0D97128E48
003 SILO
005 20191120010135
008 180817s2019    nyua     bc   001 0 eng d
020    $a 9783791358598
020    $a 3791358596
035    $a (OCoLC)1048944827
040    $a YDX $b eng $e rda $c YDX $d BDX $d OCLCQ $d ERASA $d CAM $d UKMGB $d EZN $d YDXIT $d UtOrBLW $d SILO
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050  4 $a N7619.5.G3 $b S45 2019 $0 http://id.loc.gov/authorities/classification/N
082 04 $a 704.942 $2 23
082 04 $a 709.04
245 04 $a The self-portrait : $b from Schiele to Beckmann / $c edited by Tobias G. Natter ; preface by Ronald S. Lauder ; foreword by Renée Price ; with contributions by Philipp Blom [and others].
264  1 $a New York : $b Neue Galerie ; $c [2019]
300    $a 215 pages : $b color illustrations ; $c 29 cm
500    $a Catalog of an exhibition held at Neue Galerie New York, February 28-June 24, 2019.
504    $a Includes bibliographical references and index.
505 0  $a Preface / Ronald S. Lauder -- Foreword / Renee Price -- "I Lust to Experience Everything": Egon Schiele and the Self-Portrait / Tobias G. Natter -- The Modern Artist: On the Self-Image and Self-Understanding of German and Austrian Painters / Olaf Peters -- A Painter in Changing Roles: Max Beckmann's Self-Portraits in Context / Uwe M. Scchneede -- Self-Depiction in the Shadowof the Camera / Monika Faber -- Looking in the Mirror and in the Museum: Intention and Tradition in German and Austrian Self-Portraiture, 1900-1940 / Stefen Weppelmann -- All Eyes: Self-Portraiture, The Collapse of Truth and the Birth of the New Man / Philipp Blom -- Plates and Catalogue Entries / Rolf H. Johannsen, Guido Messling, Tobias G. Natter, and Olaf Peters -- Checklist -- Index -- Photograph and Copyright Credits.
520 8  $a This visually stunning volume offers perceptive examinations of several renowned German and Austrian Expressionist artists who redefined modern self-portraiture. The self-portrait has been a vital aspect of artistic expression throughout history. Neo-Classical painters such as El Greco and Rembrandt formalized the practice, and the first half of the 20th century saw a dramatic transformation in the self-portrait's style and context, especially in the hands of the German and Austrian Expressionists. Vibrant reproductions of works by Egon Schiele, Max Beckmann, Ernst Ludwig Kirchner, Oskar Kokoschka, and others are accompanied by essays that explore how these artists--many of whom were classified as "degenerate" by the Nazi party--imbued their images with eloquent expressions of resistance, isolation, entrapment, and provocation. From Schiele's erotically charged and overtly physical paintings to Beckmann's emotionally fraught depictions of psychic trauma, this important examination of a powerful aspect of modern European painting brilliantly illustrates how the Expressionist self-portrait became a powerful weapon against artistic oppression. 00Exhibition: Neue Galerie, New York, USA (28.02.- 24.06.2019).
650  0 $a Self-portraits, German $y 20th century $v Exhibitions.
650  0 $a Self-portraits, Austrian $y 20th century $v Exhibitions.
650  0 $a Expressionism (Art) $z Germany $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2008103456
650  0 $a Expressionism (Art) $z Austria $v Exhibitions.
700 1  $a Natter, Tobias G. $q (Tobias Günter), $e editor. $0 http://id.loc.gov/authorities/names/n90641363
700 1  $a Lauder, Ronald S., $e writer of preface. $0 http://id.loc.gov/authorities/names/n84165680
700 1  $a Price, Renée, $e author of introduction, etc. $0 http://id.loc.gov/authorities/names/no2002027264
710 2  $a Neue Galerie New York, $e issuing body. $0 http://id.loc.gov/authorities/names/no2002027261
941    $a 1
952    $l OVUX522 $d 20191211021702.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3AA704500B6411EAA467CE0D97128E48

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