The Locator -- [(subject = "Race in motion pictures")]

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03942aam a2200613 i 4500
001 3DBA6E4E072811ED93C2E7E557ECA4DB
003 SILO
005 20220719010102
008 210925t20212021gw a     bmq  000 0 eng d
020    $a 3837653374
020    $a 9783837653373
035    $a (OCoLC)1269197381
040    $a OHX $b eng $e rda $c OHX $d NYP $d BDX $d YDX $d OCLCF $d OCLCO $d OCLCA $d OCL $d OCLCO $d OCLCQ $d OCLCO $d AMH $d NUI $d SILO
041 1  $a eng $h ger
043    $a n-us---
050  4 $a PN1995.9.R22 $b G6713 2021
082 04 $a 791.43/6552 $2 23
100 1  $a Gotto, Lisa, $e author.
240 10 $a Traum und Trauma in Schwarz-Weiss. $l English
245 10 $a Passing and posing between black and white : $b calibrating the color line in U.S. cinema / $c Lisa Gotto ; translated by Rudolph Saliba.
264  1 $a Bielefeld : $b Transcript, $c [2021]
300    $a 246 pages : $b illustrations ; $c 23 cm
490 1  $a [Transcript] FilmStudies, $x 2702-9247
520    $a Since its inception, U.S. American cinema has grappled with the articulation of racial boundaries. This applies, in the first instance, to featuring mixed-race characters crossing the color line. In a broader sense, however, this also concerns viewing conditions and knowledge configurations. The fact that American film engages itself so extensively with the unbalanced relation between black and white is neither coincidental nor trivial to state - it has much more to do with negating boundaries that pertain to the medium itself. Lisa Gotto examines this constellation along the early history of American film, the cinematic modernism of the late 1950s, and the post-classical cinema of the turn of the millennium.
500    $a "Originally published as: Lisa Gotto, Traum und Trauma in Schwarz-Weiss. ethnische Grenzgänge im amerikanischen Film, Konstanz: UVK 2006"--Title page verso.
500    $a Thesis (doctoral)--Bauhaus-Universität, Weimar.
504    $a Includes bibliographical references (pages 235-243), and filmography (pages 245-246).
505 0  $a Acknowledgements -- Foreword -- Introduction -- I. Conquered - Unconquered -- The Birth of a Nation (David Wark Griffith, USA 1915) ; The Symbol of the Unconquered (Oscar Micheaux, USA 1920) -- II. Reflections - Shadows -- Imitation of Life (Douglas Sirk, USA 1959) ; Shadows (John Cassavetes, USA 1959) -- III. Blackface - Whiteface -- Bamboozled (Spike Lee, USA 2000) -- The Human Stain (Robert Benton, USA 2003) -- Conclusion -- IV. Appendix -- Bibliography -- Filmography.
648  7 $a 1900-1999 $2 fast
650  0 $a Race in motion pictures $x History.
650  0 $a Motion pictures $z United States $y 20th century $x History.
650  0 $a Passing (Identity) in motion pictures $x History.
650  0 $a African Americans in motion pictures $x History.
650  0 $a Black people in motion pictures $x History.
650  0 $a African Americans $x History. $x History.
650  0 $a Race films.
650  7 $a African Americans in motion pictures. $2 fast $0 (OCoLC)fst00799733
650  7 $a African Americans $x Social life and customs. $2 fast $0 (OCoLC)fst00799703
650  7 $a Black people in motion pictures. $2 fast $0 (OCoLC)fst00834029
650  7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285
650  7 $a Passing (Identity) in motion pictures. $2 fast $0 (OCoLC)fst01054420
650  7 $a Race films. $2 fast $0 (OCoLC)fst01736846
650  7 $a Race in motion pictures. $2 fast $0 (OCoLC)fst01086507
651  7 $a United States. $2 fast $0 (OCoLC)fst01204155
655  2 $a Academic Dissertation $0 (DNLM)D019478
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
655  7 $a Academic theses. $2 lcgft
655  7 $a Thèses et écrits académiques. $2 rvmgf $0 (CaQQLa)RVMGF-000001173
776 0  $z 9783896696663
776 08 $i PDF version $z 9783839453377
830  0 $a FilmStudies
941    $a 1
952    $l OVUX522 $d 20231117013317.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3DBA6E4E072811ED93C2E7E557ECA4DB

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