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04264aam a2200625 i 4500 001 AADB12D2DA3111EB950CCE9F56ECA4DB 003 SILO 005 20210701010029 008 200424t20202020mau b 001 0 eng 010 $a 2020019282 020 $a 161376779X 020 $a 9781613767795 020 $a 1613767803 020 $a 9781613767801 020 $a 1625345305 020 $a 9781625345301 020 $a 1625345291 020 $a 9781625345295 035 $a (OCoLC)1154507103 040 $a DLC $b eng $e rda $c DLC $d OCLCF $d ORC $d ERASA $d UKMGB $d YDX $d OCLCO $d BKL $d PAU $d TJC $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ML3556 $b .G35 2020 082 00 $a 782.42162/96073 $2 23 100 1 $a Garabedian, Steven P., $e author. 245 12 $a A sound history : $b Lawrence Gellert, Black musical protest, and white denial / $c Steven P. Garabedian. 264 1 $a Amherst : $b University of Massachusetts Press, $c [2020] 300 $a xii, 220 pages ; $c 23 cm. 490 1 $a American popular music 504 $a Includes bibliographical references and index. 505 00 $t Scholarly rigors : Propaganda or protest in the Gellert Archive? $t Hidden in plain sight : Lawrence Gellert and "Negro songs of protest" -- $t The roads to perdition : Lawrence Gellert's early biography and emergence -- $t Free radical : Lawrence Gellert's early collecting and rise to prominence -- $t "Songs about the white man" : Black protest and white denial -- $t "The great red heart of the American Revolution" : Lawrence Gellert, the Lomaxes, and the Leftwing folksong revival -- $t Big white fog : Controversy and containment in the Postwar -- $t Scholarly rigors : Propaganda or protest in the Gellert Archive? 520 $a "Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors. By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication-an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century"-- $c Provided by publisher. 650 0 $a African Americans $x History and criticism. $x History and criticism. 650 0 $a Folk music $z United States $x History and criticism. 650 0 $a Protest songs $z United States $x History and criticism. 600 10 $a Gellert, Lawrence, $d 1898-1979. 650 0 $a Music $x Historiography. 650 0 $a African Americans $x Historiography. 650 0 $a Music $x History $z United States $x History $y 20th century. 600 17 $a Gellert, Lawrence, $d 1898-1979. $2 fast $0 (OCoLC)fst00147963 650 7 $a African Americans $x Historiography. $2 fast $0 (OCoLC)fst00799622 650 7 $a African Americans $x Music. $2 fast $0 (OCoLC)fst00799648 650 7 $a Folk music. $2 fast $0 (OCoLC)fst00929383 650 7 $a Music $x Historiography. $2 fast $0 (OCoLC)fst01030329 650 7 $a Music $x Political aspects. $2 fast $0 (OCoLC)fst01030414 650 7 $a Protest songs. $2 fast $0 (OCoLC)fst01079869 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 830 0 $a American popular music (Amherst, Mass.) 941 $a 1 952 $l UNUX074 $d 20210701010914.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=AADB12D2DA3111EB950CCE9F56ECA4DB 994 $a Z0 $b NIUInitiate Another SILO Locator Search