The Locator -- [(subject = "Goya Francisco--1746-1828")]

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05683aam a2200793Ii 4500
001 6BEAE2A0462211E9A3F20F6897128E48
003 SILO
005 20190314012734
008 180425s2018    njua     b    001 0 eng d
010    $a 2018940957
020    $a 9780691181646
020    $a 0691181640
035    $a (OCoLC)1032357163
040    $a YDX $b eng $e rda $c YDX $d TXI $d YDXIT $d OCLCF $d FNE $d UKMGB $d CHVBK $d OCLCO $d QGJ $d SEA $d STF $d NRC $d AVA $d OCLCA $d VT2 $d NJB $d WTU $d IaU $d SILO
043    $a e------
050  4 $a N6425.N4 $b C76 2018
082 04 $a 709.033 $2 23
082 04 $a 940.2
100 1  $a Crow, Thomas E., $d 1948- $e author.
245 10 $a Restoration : $b the fall of Napoleon in the course of European art 1812-1820 / $c Thomas Crow.
264  1 $a Princeton, N.J. : $b Princeton University Press, $c [2018]
300    $a 200 pages : $b color illustrations ; $c 27 cm
490 1  $a The A.W. Mellon lectures in the fine arts ; $v 64
490 1  $a Bollingen series ; $v 35:64
504    $a Includes bibliographical references (pages 190-195) and index.
505 0  $a Moscow burns/the pope comes home : David, Gros, and Ingres test the Empire's facade -- At the service of kings, Madrid and Paris, 1814 : aging Goya and upstart Géricault face their restorations -- Waterloo sunset, 1815-17 : Napoleon returns, David crosses borders, Géricault wanders plebian Rome with Thomas -- The religion of ancient art from London to Paris to Rome, 1815-19 : Canova and Lawrence replenish papal splendor -- The Laboratory of Brussels, 1816-19 : the apprentice Navez and the master David redraw the language of art -- Redemption in Rome and Paris, 1818-20 : Ingres revives the codes of chivalry while Géricault recovers the dispossessed.
520    $a As the French Empire collapsed between 1812 and 1815, artists throughout Europe were left uncertain and adrift. The final abdication of Emperor Napoleon, clearing the way for a restored monarchy, profoundly unsettled prevailing national, religious, and social boundaries. In 'Restoration', Thomas Crow combines a sweeping view of European art centers-Rome, Paris, London, Madrid, Brussels, and Vienna-with a close-up look at pivotal and significant artists, including Antonio Canova, Jacques-Louis David, Theodore Gericault, Francisco Goya, Jean-Auguste-Dominique Ingres, Thomas Lawrence, and forgotten but meteoric painters Francois-Joseph Navez and Antoine Jean-Baptiste Thomas. Whether directly or indirectly, all became linked in a new international network in which changing artistic priorities and possibilities emerged from the ruins of the old. Crow examines how artists of this period faced dramatic circumstances, from political condemnation and difficult diplomatic missions to a catastrophic episode of climate change. Navigating ever-changing pressures, they invented creative ways of incorporating critical events and significant individuals into fresh artistic works. Crow discusses, among many topics, David's art and pedagogy during exile, Ingres's drive to reconcile religious art with contemporary mentalities, the titled victors over Napoleon all sitting for portraits by Lawrence, and the campaign to restore art objects expropriated by the French from Italy, prefiguring the restitution controversies of our own time.
600 10 $a Canova, Antonio, $d 1757-1822.
600 10 $a David, Jacques Louis, $d 1748-1825.
600 10 $a Géricault, Théodore, $d 1791-1824.
600 10 $a Goya, Francisco, $d 1746-1828.
600 10 $a Ingres, Jean-Auguste-Dominique, $d 1780-1867.
600 10 $a Lawrence, Thomas, $c Sir, $d 1769-1830.
600 10 $a Navez, François-Joseph, $d 1787-1869.
600 10 $a Thomas, Antoine Jean-Baptiste, $d 1791-1834.
600 00 $a Napoleon $b I, $c Emperor of the French, $d 1769-1821 $x In art.
600 14 $a Canova, Antonio, $d 1757-1822.
600 14 $a David, Jacques Louis, $d 1748-1825.
600 14 $a Géricault, Théodore, $d 1791-1824.
600 14 $a Goya, Francisco, $d 1746-1828.
600 14 $a Ingres, Jean-Auguste-Dominique, $d 1780-1867.
600 14 $a Lawrence, Thomas, $c Sir, $d 1769-1830.
600 04 $a Napoleon $b I, $c Emperor of the French, $d 1769-1821.
600 14 $a Navez, François-Joseph, $d 1787-1869.
600 14 $a Thomas, Antoine Jean-Baptiste, $d 1791-1834.
600 17 $a Canova, Antonio, $d 1757-1822. $2 fast $0 (OCoLC)fst00030463
600 17 $a David, Jacques Louis, $d 1748-1825. $2 fast $0 (OCoLC)fst00012109
600 17 $a Géricault, Théodore, $d 1791-1824. $2 fast $0 (OCoLC)fst00005105
600 17 $a Goya, Francisco, $d 1746-1828. $2 fast $0 (OCoLC)fst00029789
600 17 $a Ingres, Jean-Auguste-Dominique, $d 1780-1867. $2 fast $0 (OCoLC)fst00071950
600 17 $a Lawrence, Thomas, $c Sir, $d 1769-1830. $2 fast $0 (OCoLC)fst00066850
600 07 $a Napoleon $b I, $c Emperor of the French, $d 1769-1821. $2 fast $0 (OCoLC)fst00035482
600 17 $a Navez, François-Joseph, $d 1787-1869. $2 fast $0 (OCoLC)fst00448865
600 17 $a Thomas, Antoine Jean-Baptiste, $d 1791-1834. $2 fast $0 (OCoLC)fst01503065
650  0 $a Neoclassicism (Art) $z Europe.
650  0 $a Art, Modern $y 19th century.
650  4 $a Art, Modern. $0 (OCoLC)fst00816615
650  4 $a Neoclassicism (Art) $0 (OCoLC)fst01035771
650  7 $a Art, Modern. $2 fast $0 (OCoLC)fst00816615
650  7 $a Neoclassicism (Art) $2 fast $0 (OCoLC)fst01035771
651  7 $a Europe. $2 fast $0 (OCoLC)fst01245064
648  7 $a 1800-1899 $2 fast
655  7 $a Art. $2 fast $0 (OCoLC)fst01423702
830  0 $a A.W. Mellon lectures in the fine arts ; $v 64.
830  0 $a Bollingen series ; $v 35:64.
941    $a 2
952    $l OVUX522 $d 20231219012430.0
952    $l NYPE343 $d 20191115100441.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6BEAE2A0462211E9A3F20F6897128E48

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