The Locator -- [(subject = "English fiction--18th century--History and criticism")]

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03673aam a2200517 i 4500
001 3FF5E0B2072811ED93C2E7E557ECA4DB
003 SILO
005 20220719010102
008 200311s2020    paua     b    001 0 eng  
010    $a 2019040874
020    $a 1684481929
020    $a 9781684481927
020    $a 1684481910
020    $a 9781684481910
035    $a (OCoLC)1125080204
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d YDX $d BNG $d OCLCO $d NUI $d SILO
042    $a pcc
050 00 $a PR858.D37 $b O45 2020
082 00 $a 823/.5093548 $2 23
100 1  $a Oliver, Kathleen M., $e author.
245 10 $a Narrative mourning : $b death and its relics in the eighteenth-century British novel / $c Kathleen M. Oliver.
246 30 $a Death and its relics in the eighteenth-century British novel
264  1 $a Lewisberg, Pennsylvania : $b Bucknell University Press, $c [2020]
300    $a ix, 206 pages : $b illustrations ; $c 24 cm.
490 1  $a Transits : literature, thought & culture 1650-1850
520    $a "Narrative Mourning explores death and its relics as they appear within the confines of the eighteenth-century British novel. It argues that the cultural disappearance of the dead/dying body and the introduction of consciousness as humanity's newfound soul found expression in fictional representations of the relic (object) or relict (person). In the six novels examined in this monograph -- Samuel Richardson's Clarissa and Sir Charles Grandison; Sarah Fielding's David Simple and Volume the Last; Henry Mackenzie's The Man of Feeling; and Ann Radcliffe's The Mysteries of Udolpho - the appearance of the relic/relict signals narrative mourning and expresses (often obliquely) changing cultural attitudes toward the dead"-- $c Provided by publisher.
504    $a Includes bibliographical references (pages 189 - 198) and index.
505 0  $a Introduction: The Relic -- Objects : 1. "With My Hair in Crystal": Commemorative Hair Jewelry and the Entombed Saint in Samuel Richardson's Clarissa(1748) -- 2. "You Know Me Then": The Relic versus the Real in Ann Radcliffe's Mysteries of Udolpho (1794); Part I. The Secret Life of Portraits; Part II. Death as the Lost Beloved -- Persons : 3. "All the Horrors of Friendship": Counting the Bodies in Sarah Fielding's David Simple (1744) and Volume the Last (1753); Part I. The Sorrows of Young David: Melancholia; Part II. Double Vision: Allegory; 4. "It is All for You!": Dying for Love in Samuel Richardson's The History of Sir Charles Grandison (1753) -- Ghosts : 5. "'Tis at Least a Memorial for Those Who Survive": The It-Narrator, Death Writing, and the Ghostwriter in Henry Mackenzie's The Man of Feeling (1771) -- Conclusion: Death and the Novel.
648  7 $a 1700-1799 $2 fast
650  0 $a English fiction $y 18th century $x History and criticism.
650  0 $a Death in literature.
650  0 $a Relics in literature.
650  0 $a Mourning customs in literature.
650  0 $a Manners and customs $x History $y 18th century.
650  7 $a Death in literature. $2 fast $0 (OCoLC)fst00888697
650  7 $a English fiction. $2 fast $0 (OCoLC)fst00910817
650  7 $a Manners and customs. $2 fast $0 (OCoLC)fst01007815
650  7 $a Mourning customs in literature. $2 fast $0 (OCoLC)fst01028406
650  7 $a Relics in literature. $2 fast $0 (OCoLC)fst01904463
651  7 $a England. $2 fast $0 (OCoLC)fst01219920
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
830  0 $a Transits (Bucknell University)
941    $a 1
952    $l OVUX522 $d 20231117024235.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3FF5E0B2072811ED93C2E7E557ECA4DB

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