612 records matched your query       

03912aam a2200505 i 4500
001 2D17568CC43111EB854196005EECA4DB
003 SILO
005 20210603010026
008 210421s2021    ja a     b    000 0 eng d
010    $a 2020436518
020    $a 4866581808
020    $a 9784866581804
035    $a (OCoLC)1246723509
040    $a KEI $b eng $e rda $c KEI $d KGG $d ABJ $d BNG $d DLC $d OWS $d OCLCF $d OCLCO $d VP@ $d KMS $d OWU $d OCLCO $d IWA $d SILO
041 1  $a eng $h jpn
043    $a e------ $a e------
050 14 $a NX584 A1 T329x 2021
100 1  $6 880-01 $a Takashina, Shūji, $d 1932- $e author.
264  1 $a Tokyo, Japan : $b Japan Publishing Industry Foundation for Culture, $c 2021
880 1  $6 100-01 $a 高階, 秀爾 $d (1932-)
245 10 $a Japanese art in perspective : $b east-west encounters / $c Takashina Shūji ; translated by Matt Treyvaud.
246 33 $6 880-02 $a Nihon bijutsu o miru me : $b Higashi to Nishi no deai : zōho : Eibunban
880 33 $6 246-02 $a 日本美術を見る眼 : $b 東と西の出会い : 増補 : 英文版
250    $a First English edition.
300    $a 191 pages, viii pages of plates : $b illustrations (some color) ; $c 22 cm
490 1  $a Japan library
504    $a Includes bibliographical references.
520    $a How do Japanese and Western aesthetics differ? In this comparative cultural study, the author, a leading scholar of Western art history and insightful commentator on Japanese art, compares the two artistic traditions to reveal the distinctive characteristics of the Japanese sense of beauty. The first section of the book, Methods of Japanese Art, uses examples and cross-cultural comparisons to elucidate the techniques by which Japanese artists cultivated their unique approach. These include roving rather than fixed perspective, the 'aesthetic of negation' - excising the unnecessary to emphasize what remains - and the 'trailing bough' motif, which evokes a world beyond the work's borders and influenced Western artists such as Monet. In the second section, East-West Encounters, the book examines the history of cultural interaction between Japan and the West from the early modern period on and its influence on the art of both. The third section, Passing Beauty, Returning Memory, contains essays on Japanese culture more broadly, including its preference for recurring forms over fixed monuments and its tradition of combining multiple seasons in a single image. This book is a guide not only to the art of Japan but to the essence of its spiritual culture. -- $c From publisher's description.
505 0  $a Methods of Japanese Art. The Character of Japanese Aesthetics ; Object and Form ; Forms of Seeing, East and West ; The "Trailing Bough" Motif ; The Art of the Journey ; The Principle of Ornamentation -- East-West Encounters. East and West in Meiji Painting ; The Avant-Garde in Japanese Art ; Japanese Academism ; Some Problems of Japonisme -- Passing Beauty, Returning Memory. The Aesthetics of Transition : The Four Seasons and the Japanese Sense of Beauty ; "The Color of the Flowers" : Symphonies of Image and Word ; The Heritage of Memory : Intangible Culture as Japanese Tradition.
650  0 $a Art, Japanese.
650  0 $a Aesthetics, Japanese.
650  0 $a Art $x History.
650  0 $a Comparative arts.
650  0 $a East and West in art.
651  0 $a Japan $x Civilization.
700 1  $a Treyvaud, Matt, $e translator. $4 trl
765 0  $6 880-03 $t Nihon bijutsu o miru me. $b zōho. $d Tōkyō : Iwanami shoten, 2009.
880 0  $6 765-03 $t 日本美術を見る眼. $b 増補. $d 東京 : 岩波書店, 2009.
830  0 $a Japan library (Shuppan Bunka Sangyō Shinkō Zaidan)
941    $a 3
952    $l OVUX522 $d 20231117011615.0
952    $l UNUX074 $d 20231020031310.0
952    $l USUX851 $d 20210707015114.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2D17568CC43111EB854196005EECA4DB
994    $a C0 $b IWA