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02083aam a2200385Ii 4500 001 025E7C18E96E11E8978F920F97128E48 003 SILO 005 20181116010210 008 180309t20182018gaua q 000 0 eng d 020 $a 0989531198 020 $a 9780989531191 035 $a (OCoLC)1028628138 040 $a ERASA $b eng $e rda $c ERASA $d VGM $d YDX $d HTM $d IAY $d SILO 043 $a n-us-ny 050 4 $a N6494.V53 $b D45 2018 082 04 $a 791.43092 $2 23 082 04 $a 700.411 100 1 $a De Landa, Manuel, $e photographer. 245 10 $a Ism Ism / $c Manuel DeLanda ; edited by John Klacsmann & Andrew Lampert. 264 1 $a Atlanta : $b J&L Books ; $c [2018] 300 $a 151 pages : $b chiefly color illustrations ; $c 23 cm 500 $a Reproductions of photographs. 500 $a Place of publication from publisher's website. 504 $a Includes filmography. 520 8 $a Economically downtrodden New York City in the mid-to-late 1970s was like the end of the world, but only if you chose to see it that way. For young artists running amok in the collapsing capital, the possibilities seemed endless. For Manuel DeLanda (born 1952), a Mexican transplant enrolled at the School of Visual Arts, overcrowded sidewalks and decrepit subway stations were blank canvases for inspired mayhem. Widely recognized today as a philosopher, professor and author, DeLanda initially came to prominence as one of the premiere experimental filmmakers of his generation. Fueled by the gonzo humor and graphic audacity of Frank Zappa and Zap Comix, DeLanda?s fevered productions were among the most deliriously innovative movies of the punk era. 600 10 $a De Landa, Manuel. 650 0 $a Video art $y 20th century. 650 0 $a Photography, Artistic. 650 0 $a Street photography $z New York. $z New York. 700 1 $a Lampert, Andrew, $e editor. 700 1 $a Klacsmann, John, $e editor. 710 2 $a Anthology Film Archives, $e issuing body. 941 $a 1 952 $l OVUX522 $d 20191214021917.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=025E7C18E96E11E8978F920F97128E48Initiate Another SILO Locator Search