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03909aam a2200469 i 4500 001 AADD68F2DA3111EB950CCE9F56ECA4DB 003 SILO 005 20210701010029 008 200908s2021 nyua b 001 0 eng 010 $a 2020041213 020 $a 0190842709 020 $a 9780190842703 035 $a (OCoLC)1181837268 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d TDF $d MNG $d RES $d YDX $d SILO 042 $a pcc 043 $a e-fr--- 050 00 $a ML3917.F8 $b G55 2021 082 00 $a 781.65089/96044361 $2 23 100 1 $a Gillett, Rachel Anne, $e author. 245 10 $a At home in our sounds : $b music, race, and cultural politics in interwar Paris / $c Rachel Anne Gillett. 264 1 $a New York, NY : $b Oxford University Press, $c [2021] 300 $a xvii, 235 pages : $b illustrations : $c 25 cm 504 $a Includes bibliographical references and index. 505 0 $a Introduction. Setting Up : Jazz and Black Cultural Politics in Interwar Paris -- "The Flip side of Jazz :" Black French reactions to the Tumulte Noir -- Jazzing around or "How Ya Gonna Keep Em Down?" -- Performing racial difference at the Colonial Exposition of 1931 -- Reclaiming the Biguine -- Clouds Gather and the Band Plays On -- Conclusion. Overtones and Resonances. 520 $a "At Home in Our Sounds: Music, Race, and Cultural Politics in Interwar Paris shows how and why music became part of the social changes Europe faced in the aftermath of World War One. It focuses on the story of black music in Paris and the people who created it, enjoyed it, criticised it and felt at home when they heard it. African Americans, French Antilleans, and French West Africans wrote, danced, sang, and acted politically in response to the heightened visibility of racial difference in Paris during this era. They were consumed with questions that continue to resonate today. Could one be black and French? Was black solidarity more important than national and colonial identity? How could French culture include the experiences and contributions of Africans and Antilleans? From highly educated women, like the Nardal sisters of Martinique, to the working black musicians performing in crowded nightclubs at all hours, At Home in Our Sounds gives a fully rounded view of black reactions to jazz in interwar Paris. It places that phenomenon in its historic and political context, and in doing so shows how music and music-making formed a vital terrain of cultural politics. It shows how music-making brought people together around pianos, on the dancefloor, and through reading and gossip, but it did not erase the political and regional and national differences between them. It shows that many found a home in Paris but did not always feel at home. This book reveals these dimensions of music-making, race, and cultural politics in interwar Paris"-- $c Provided by publisher. 650 0 $a Music $x History $z Paris $z Paris $x History $y 20th century. 650 0 $a Blacks $z Paris $z Paris $v Music $y 20th century $x History and criticism. 650 0 $a Jazz $x History $z Paris $z Paris $x History $y 20th century. 650 0 $a Music and race $z Paris $z Paris $x History $y 20th century. 650 7 $a Blacks $2 fast $0 (OCoLC)fst00833880 650 7 $a Jazz $x Social aspects $2 fast $0 (OCoLC)fst00982185 650 7 $a Music and race $2 fast $0 (OCoLC)fst01030486 650 7 $a Music $x Social aspects $2 fast $0 (OCoLC)fst01030444 651 7 $a France $z Paris $2 fast $0 (OCoLC)fst01205283 648 7 $a 1900-1999 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a History $2 fast $0 (OCoLC)fst01411628 776 08 $i Online version: $a Gillett, Rachel Anne, $t At home in our sounds $d New York : Oxford University Press, 2021. $z 9780190842727 $w (DLC) 2020041214 941 $a 1 952 $l UNUX074 $d 20210701010915.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=AADD68F2DA3111EB950CCE9F56ECA4DB 994 $a Z0 $b NIUInitiate Another SILO Locator Search