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03741aam a2200541 i 4500 001 F67C7D8A56B111EEB3013A8641ECA4DB 003 SILO 005 20230919010045 007 t| 008 230517t20232023laua bc 000 0deng d 010 $a 2022943021 020 $a 030026738X 020 $a 9780300267389 035 $a (OCoLC)1379251049 040 $a CRU $b eng $e rda $c CRU $d ERASA $d YDX $d TOH $d UKMGB $d OCLCF $d YUS $d HRM $d IND $d MZA $d INU $d YDX $d BDX $d CMA $d EYM $d WAU $d CNNGC $d TEU $d NYP $d YDX $d IaU $d SILO 043 $a n-us--- 050 4 $a TR681.B52 $b C35 2023 082 04 $a 770.8996073 $2 23 245 00 $a Called to the camera : $b Black American studio photographers / $c Brian Piper with John Edwin Mason, Carla Williams, and Russell Lord ; foreword by Susan Taylor. 246 30 $a Black American studio photographers 264 2 $a New Haven : $b Yale University Press $c ©2023 300 $a 226 pages : $b illustrations (some color) ; $c 29 x 26 cm 504 $a Includes bibliographical references (pages 218-221). 585 $a Published in the occasion of the exhibition of the same title, held at New Orleans Museum of Art, New Orleans, Sept. 15 2022-January 8, 2023. 505 0 $a Director's foreword / Susan M. Taylor -- Introduction / Russell Lord -- "Where there's beauty we take it, and where there's none we can make it:" the work of Black American photography studios / Brian Piper -- Nobody's "faithful servant:" Henry Martin represents himself / John Edwin Mason -- The art of seeing as being seen / Carla Williams. 520 $a From photography's beginnings in the United States, Black studio photographers operated on the developing edge of popular media to produce affirming portraits for their clients, as well as a wide range of photographic work rooted in their communities. Called to the Camera offers a comprehensive history of this work, from the nineteenth-century daguerreotypes of James Presley Ball to the height of Black studios in the mid-twentieth century, and considers contemporary photographers responding to Black studio traditions today. In addition to showcasing famous photographers such as Ball, James Van Der Zee, and Addison Scurlock, this volume brings attention to dozens of other artists across the country, including Florestine Perrault Collins, Austin Hansen, and Henry Clay Anderson. The book features more than one hundred extraordinary vintage photographs, many of them unique objects and some, like those by the Hooks Brothers Studio, published here for the first time. Highlighting Black subjects on both sides of the camera, Called to the Camera presents a broader and more inclusive history of photography. 650 0 $a African American portrait photographers $v Exhibitions. 650 0 $a African American photographers $v Exhibitions. 650 0 $a African Americans $v Exhibitions. $v Exhibitions. 650 0 $a African Americans in art $v Exhibitions. 650 0 $a Black people in art $v Exhibitions. 650 0 $a Portrait photography $z United States $x History $v Exhibitions. 650 7 $a African American photographers. $2 fast 650 7 $a Photography. $2 fast 650 7 $a History. $2 fast 651 7 $a United States. $2 fast 655 7 $a History. $2 fast 655 7 $a Exhibition catalogs. $2 lcgft 655 7 $a Photobooks. $2 lcgft 700 1 $a Piper, Brian $c (Art museum curator), $e author. 700 1 $a Mason, John Edwin, $e author. 700 1 $a Williams, Carla, $d 1965- $e author. 700 1 $a Lord, Russell, $e author. 700 1 $a Taylor, Susan M., $e writer of foreword. 710 2 $a New Orleans Museum of Art, $e publisher. $e publisher. 941 $a 1 952 $l OVUX522 $d 20231117020117.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F67C7D8A56B111EEB3013A8641ECA4DBInitiate Another SILO Locator Search