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03555aam a2200493 i 4500 001 4C41953A2E0111EFA856D47D28ECA4DB 003 SILO 005 20240619010048 008 220712s2022 ncua b 001 0 eng 010 $a 2022020036 020 $a 1478018968 020 $a 9781478018964 020 $a 1478016329 020 $a 9781478016328 035 $a (OCoLC)1341268520 040 $a NcD/DLC $b eng $e rda $c DLC $d OCLCF $d UKMGB $d CBY $d YDX $d BDX $d PAU $d OCLCO $d NLVRD $d SILO 042 $a pcc 043 $a f-sa--- 050 00 $a ML3917.S62 $b E75 2022 084 $a HIS047000 $a HIS047000 $2 bisacsh 100 1 $a Erlmann, Veit, $e author. 245 10 $a Lion's share : $b remaking South African copyright / $c Veit Erlmann. 264 1 $a Durham : $b Duke University Press, $c 2022. 300 $a xii, 386 pages : $b illustrations ; $c 23 cm 504 $a Includes bibliographical references(pages 345-369) and index. 505 0 $a Aspirations and Apprehensions : Toward an Anthropology in Law -- The Past in the Present : Copyright, Colonialism, and "The Lion Sleeps Tonight" -- Assembling Tradition, Representing Indigeneity : The Making of the Intellectual Property Laws Amendment Act 28 of 2013 -- Circulating Evidence : The Truth about Piracy -- Which Collective? : The Infrastructure of Royalties -- Conclusion : How to Speak the Same Language, or at Least Try To -- Appendix : Southern African Copyright: The Basics. 520 $a "In the aftermath of apartheid, South Africa undertook an ambitious revision of its intellectual property system. In Lion's Share Veit Erlmann traces the role of copyright law in this process and its impact on the South African music industry. Although the South African government tied the reform to its post-apartheid agenda of redistributive justice and a turn to a post-industrial knowledge economy, Erlmann shows how the persistence of structural racism and Euro-modernist conceptions of copyright threaten the viability of the reform project. In case studies ranging from anti-piracy police raids and the crafting of legislation to protect indigenous expressive practices to the landmark lawsuit against Disney for its appropriation of Solomon Linda's song "The Lion Sleeps Tonight" for The Lion King, Erlmann follows the intricacies of musical copyright through the criminal justice system, parliamentary committees, and the offices of a music licensing and royalty organization. Throughout, he demonstrates how copyright law is inextricably entwined with race, popular music, postcolonial governance, indigenous rights, and the struggle to create a more equitable society"-- $c Provided by publisher. 600 10 $a Linda, Solomon. $t Mbube (Wimoweh) 650 0 $a Music $x History. $z South Africa $x History. 650 0 $a Copyright $x History. $z South Africa $x History. 650 0 $a Music and race $z South Africa. 650 6 $a Droit d'auteur $x Histoire. $z Afrique du Sud $x Histoire. 650 6 $a Musique et race $z Afrique du Sud. 650 7 $a MUSIC / Ethnomusicology. $2 bisacsh 650 7 $a HISTORY / Africa / South / Republic of South Africa. $2 bisacsh 650 7 $a Copyright $x Music $2 fast 650 7 $a Music and race $2 fast 650 7 $a Music $x Law and legislation $2 fast 651 7 $a South Africa $2 fast 655 7 $a History $2 fast 776 08 $i Online version: $a Erlmann, Veit $t Lion's share $d Durham : Duke University Press, 2022 $z 9781478023593 $w (DLC) 2022020037 941 $a 1 952 $l OVUX522 $d 20240619010816.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4C41953A2E0111EFA856D47D28ECA4DBInitiate Another SILO Locator Search