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03946aam a2200505 i 4500 001 DE0146B4EE0211ECABFB385646ECA4DB 003 SILO 005 20220617010046 008 211214t20222022mnu b 001 0 eng 010 $a 2021054638 020 $a 1517911044 020 $a 9781517911041 020 $a 1517911036 020 $a 9781517911034 035 $a (OCoLC)1285871680 040 $a DLC $b eng $e rda $c DLC $d UKMGB $d OCLCF $d YDX $d BDX $d BKL $d YDX $d OCLCO $d DLC $d XII $d OCLCO $d YUS $d JNA $d NUI $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a PS310.H66 $b P37 2022 082 00 $a 810.9/352664 $2 23/eng/20220202 100 1 $a Parlett, Jack, $d 1992- $e author. 245 14 $a The poetics of cruising : $b queer visual culture from Whitman to Grindr / $c Jack Parlett. 246 30 $a Queer visual culture from Whitman to Grindr 264 1 $a Minneapolis : $b University of Minnesota Press, $c [2022] 300 $a 252 pages ; $c 22 cm 520 $a "A groundbreaking new history of urban cruising through the lenses of urban poets The Poetics of Cruising explores the relationship between cruising, photography, and the visual in the work of leading poets, from Walt Whitman in the nineteenth century to Eileen Myles in the twenty-first. What is it that happens, asks Jack Parlett, and what is it that is sought, in this often transient moment of perception we call cruising, this perceptual arena where acts of looking between strangers are intensified and eroticized? Parlett believes that this moment is not only optical in nature but visual: a mode of looking that warrants comparison with the ways in which we behold still and moving images. Whether it's Whitman's fixation with daguerreotypes, Langston Hughes's hybrid photographic works, or Frank O'Hara's love of Hollywood movie stars, argues Parlett, the history of poets cruising abounds with this intermingling between the verbal and the visual, the passing and the fixed. To look at someone in the act of cruising, this history suggests, is to capture, consider, and aestheticize, amid the flux and instantaneity of urban time. But it is also to reveal the ambivalence at the heart of this erotic search, where power may be unevenly distributed across glances, and gendered and racialized bodies are marked. Thus, in identifying for the first time this confluence of cruising, poetry, and visual culture, Parlett concludes that the visual erotic economy associated with gay cruising today, exemplified by the photographic grid of an app like Grindr, is not a uniquely contemporary phenomenon. Innovative, astute, and highly readable, and drawing on compelling archival material, The Poetics of Cruising is a must for scholars of queer and LGBTQ literature and culture, modern and contemporary poetry, visual studies, and the history of sexuality"-- $c Provided by publisher. 504 $a Includes bibliographical references and index. 505 0 $a Introduction: A Look -- Passing Strangers -- Walt Whitman, Looking at You -- Looking for Langston Hughes -- Frank O'Hara's Moving Pictures -- David Wojnarowicz's Portraits -- Coda: A Click. 648 7 $a 1800-2099 $2 fast 650 0 $a American poetry $x History and criticism. 650 0 $a Gay men's writings, American $x History and criticism. 650 0 $a Homosexuality in literature. 650 0 $a Sex in literature. 650 0 $a Gaze in literature. 650 0 $a Cruising (Sexual behavior) 650 0 $a Visual communication. 650 0 $a Photography in literature. 650 7 $a American poetry. $2 fast $0 (OCoLC)fst00807348 650 7 $a Gays in literature. $2 fast $0 (OCoLC)fst00939308 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 655 7 $a Literary criticism. $2 lcgft 655 7 $a Critiques litteÌraires. $2 rvmgf $0 (CaQQLa)RVMGF-000001939 941 $a 1 952 $l OVUX522 $d 20240619011531.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DE0146B4EE0211ECABFB385646ECA4DBInitiate Another SILO Locator Search