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03442aam a2200457Ii 4500 001 8B9F0772580511E8A8F83C5097128E48 003 SILO 005 20180515010114 008 170303s2017 au ah bc 000 0deng d 020 $a 3903131911 020 $a 9783903131910 035 $a (OCoLC)974978698 040 $a ERASA $b eng $e rda $c ERASA $d BDX $d BTCTA $d YDX $d OHX $d NYP $d OCLCO $d OCLCF $d JPG $d OCL $d CUY $d OCL $d SILO 043 $a e-uk-en 050 4 $a N6797.C757 $b A4 2017 082 04 $a 709.0407 100 1 $a Cripps, Stephen, $d -1982, $e artist. 245 10 $a Stephen Cripps : $b performing machines / $c curator: Sandra Beate Reimann ; editor: Museum Tinguely, Basel 246 30 $a Performing machines 264 1 $a Vienna : $b VfmK Verlag fuÂr moderne Kunst, $c [2017] 300 $a 192 pages : $b illustrations (chiefly color) ; $c 30 cm. 500 $a This book is published on the occasion of the exhibition held at Museum Tinguely, Basel, January 27-May 1, 2017. 500 $a With essays by Sandra Beate Reimann and others and interviews with the artist. 504 $a Includes bibliographical (page 185) references. 520 8 $a The oeuvre of British artist, Stephen Cripps (1952-1982) was highly innovative and experimental. His works developed out of an interest for kinetic sculpture and machines as well as from a fascination for the poetic potential of explosion and destruction. Until his early death, Cripps built machines and interactive installations and realised pyrotechnical performances. He developed many of his projects through the mediums of drawing and collage. This timely publication turns the spotlight on the trans-media character and multi-sensory quality of Cripps' oeuvre, particularly through its focus on the artist's drawings. Through its combination of works on paper, audio material, film and documentary media, 'Performing Machines' sets out to showcase the hybrid quality of Cripps's performative praxis. Drawings and sound recordings, the visual and the acoustic, thus complement each other in a feast for both eyes and ears. He staged performances in the UK, Europe and the United States; exhibited at Serpentine Gallery, London (1975), and had three solo exhibitions at The Acme Gallery, London (1978, 1980 and 1981). From 1974 onward, Cripps designed sets for two theatre productions by Stephen Berkoff. He often collaborated with musicians: one notable example is the 1979 pyrotechnic performance at the Museum of Modern Art, Oxford, created with percussionist, Paul Burwell. 600 10 $a Cripps, Stephen, $d -1982 $v Exhibitions. 600 10 $a Cripps, Stephen, $d -1982 $v Interviews. 650 0 $a Performance art $z England $y 20th century $v Exhibitions. 650 0 $a Installations (Art) $z England $y 20th century $v Exhibitions. 600 17 $a Cripps, Stephen, $d -1982 $2 fast $0 (OCoLC)fst01814335 650 7 $a Installations (Art) $2 fast $0 (OCoLC)fst00974250 650 7 $a Performance art. $2 fast $0 (OCoLC)fst01057852 651 7 $a England. $2 fast $0 (OCoLC)fst01219920 648 7 $a 1900-1999 $2 fast 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a Interviews. $2 fast $0 (OCoLC)fst01423832 700 1 $a Reimann, Sandra Beate, $e writer of added commentary. $e writer of added commentary. 710 2 $a Museum Jean Tinguely Basel, $e host institution. 941 $a 1 952 $l OVUX522 $d 20191211032326.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8B9F0772580511E8A8F83C5097128E48Initiate Another SILO Locator Search