55 records matched your query       

03961aam a2200397 i 4500
001 BF29077EF2B011E79A81643B97128E48
003 SILO
005 20180106010252
008 150113t20142014ne a     bc   000 0ddut c
020    $a 9069182696
020    $a 9789069182698
035    $a (OCoLC)900082945
040    $a NUI $e rda $c NUI $d NUI $d UtOrBLW $d SILO
245 00 $a Brancusi, Rosso, Man Ray : $b framing sculpture / $c [editors, Peter van der Coelen, Francesco Stocchi ; authors, Peter van der Coelen, [and five others]].
246 3  $a Constantin Brancusi, Medardo Rosso, Man Ray
246 30 $a Framing sculpture
264  1 $a Rotterdam : $b Museum Boijmans van Beuningen, $c [2014]
300    $a 255 pages : $b illustrations (chiefly color) ; $c 27 cm
500    $a Catalog of an exhibition held at Museum Boijmans van Beuningen, Rotterdam, February 8-May 11, 2014.
546    $a Text in Dutch.
504    $a Includes bibliographical references (pages 251-254)
520    $a Museum Boijmans Van Beuningen is showing the work of three of the most influential artists of the twentieth century: Constantin Brancusi (1876-1957), Medardo Rosso (1858-1928) and Man Ray (1890-1976). Masterpieces will be flown in from top collections all over the world, including the Centre Pompidou in Paris and the Museum of Modern Art in New York. They include iconic sculptures never shown in the Netherlands, such as Brancusi's Princesse (1915-16) and Colonne sans fin (1918). Brancusi, Rosso and Man Ray all used photography in an innovative way in their work. A group of forty sculptures and more than sixty photographs that the artists took of their sculptures afford a unique insight into their artistic practice. After 1900 technical developments made photography easier and more affordable and therefore accessible to more people. At the beginning of the twentieth century, artists increasingly sought a new language of forms in photography. Brancusi, Rosso and Man Ray employed photography not so much as a means of recording their work as a way of making clear how observers should view and interpret their works. They used experimental techniques such as overexposure, innovative camera angles and blurring the foreground or background. Brancusi, for example, photographed his works in direct sunlight so that the polished bronze flashes dramatically in the photographs. He would not allow anyone else to photograph his sculptures so that the representation of his work remained entirely in his own hands. Rosso manipulated his photographic prints by re-photographing them, cutting and writing on them. While Man Ray embraced a more versatile approach, he explored a cameraless photography technique by placing objects directly onto the phographic paper. Exhibition: Museum Boijmans van Beuningen, Rotterdam, the Netherlands (8.2.-11.5.2014).
600 10 $a Brancusi, Constantin, $d 1876-1957 $v Exhibitions.
600 10 $a Rosso, Medardo, $d 1858-1928 $v Exhibitions.
600 00 $a Man Ray, $d 1890-1976 $v Exhibitions.
650  0 $a Photography of sculpture $x History $y 20th century $v Exhibitions.
650  0 $a Art and photography $v Exhibitions. $0 http://id.loc.gov/authorities/subjects/sh2009115679
700 1  $a Brancusi, Constantin, $d 1876-1957, $e sculptor. $0 http://id.loc.gov/authorities/names/n79127902
700 1  $a Rosso, Medardo, $d 1858-1928, $e sculptor. $0 http://id.loc.gov/authorities/names/n84036577
700 0  $a Man Ray, $d 1890-1976, $e photographer. $0 http://id.loc.gov/authorities/names/n80019625
700 1  $a Coelen, Peter van der, $e author. $e author. $0 http://id.loc.gov/authorities/names/n94023021
700 1  $a Stocchi, Francesco, $e editor. $0 http://id.loc.gov/authorities/names/no2008039332
710 2  $a Museum Boijmans Van Beuningen (Rotterdam, Netherlands), $e host institution. $0 http://id.loc.gov/authorities/names/n97068833
941    $a 1
952    $l OVUX522 $d 20180119070234.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BF29077EF2B011E79A81643B97128E48