"First published by Picture This, Bristol in 2012."--Title page verso. Includes bibliographical references.
Contents:
Introduction / Bridget Crone. Notes towards a sensible stage / Performer, audience, mirror: cinema, theatre and the idea of the live / Ian White -- 'Je suis photographe': figures of cinematic narrators / Vanessa Desclaux -- Spectators, objects and infrastructures: a discussion between Dan Kidner and Bridget Crone -- Treatise on movement / Beatrice Gibson -- Moving poses/Arresting feeling: Jimmy Robert's L'education sentimentale / Dominic Andrew Paterson -- Between the body and object the voice appears: Yael Davids' Learning to imitate and Learning to imitate in absentia / Lisa Panting -- The subject in process: material equations in the work of Carolee Schneemann and Annabel Nicolson / Lucy Reynolds -- Working songs: 'yes to the connection between voice and audience' / Anne-Sophie Dinant -- The gesture of the muted voice: Cara Tolmie's Myriad mouth line / Mason Leaver-Yap -- The divided stage: splitting the dialectics of performance / Pil and Galia Kollectiv -- Notes towards a sensible stage / Bridget Crone.
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