The Misremembering racial histories: the role of the viewer in Kara Walker's 'The emancipation approximation' / Nathan J Timpano Classical chastity and chivalric tradition: Pisanello's portrait medal of Cecilia Gonzaga / Tanja L. Jones -- Knot(s) made by human hands: copying, invention, and intellect in the work of Leonardo da Vinci and Albrecht Dürer / Eileen Costello -- Caravaggio's Capitoline "Saint John": an emblematic image of divine love / Shannon Pritchard -- "Virtue must be hir chiefest garnish": rules for painting an early Stuart lady as evidenced by Larkin's "Mary Curzon" / Jennifer L. Hallam -- Invention and the court copyist: David Teniers the younger and gallery paintings / Andrea Keppers -- Luisa Roldán's Terracottas: result of failure or strategy for success? -- Picturing American femininity: addressing the body of Alfred Stieglitz's "Portrait of Georgia O'Keeffe" / Sandra Zalman -- Identity and the artist: Soviet and post-Soviet sots / Kristen Williams Backer -- You make me feel like a natural transgendered person: contemporary photography and the construction of queer(ed) identities / Stefanie Snider -- Misremembering racial histories: the role of the viewer in Kara Walker's 'The emancipation approximation' / Nathan J Timpano
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