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Title:
African cinema : manifesto and practice for cultural decolonization. Volume 3, The documentary record--declarations, resolutions, manifestos, speeches / edited by Michael T. Martin and Gaston J.-M. Kabore ; with Allison J. Brown, Cole Nelson, and Joseph E. Roskos.
Publisher:
Indiana University Press,
Copyright Date:
2023
Description:
xvi, 672 pages : illustrations (black and white, and colour) ; 23 cm.
Subject:
1900-1999
Motion pictures--Africa--History--20th century.
Motion pictures--Africa--History and criticism.
Motion pictures
Africa
Criticism, interpretation, etc.
History
Other Authors:
Martin, Michael T., editor. .
Kaboré, Gaston, 1951- editor.
Notes:
Includes bibliographical references and index.
Contents:
Part IV: Dossier 3: African Women in Cinema / curated by Beti Ellerson Part I: Colonial Formations Colonial Cinema / Roy Armes -- The Colonialist Regime of Representation, 1945-1960 / James E. Genova -- Politics of Cultural Conversion in Colonialist African Cinema / Femi Okiremuette Shaka -- The African Bioscope: Movie-House Culture in British Colonial Africa / James Burns -- From the Inside: The Colonial Film Unit and the Beginning of the End / Tom Rice -- The Independence Generation: Film Culture and the Anti-Colonial Struggle in the 1950s / Odile Goerg -- Part II: Constituting African Cinema -- What is Cinema for Us? / Med Hondo -- A Cinema Fighting for Its Liberation / Férid Boughedir -- Where Are the African Women Filmmakers? / Haile Gerima -- The FEPACI and Its Artistic Legacies / Sada Niang -- New Avenues for FEPACI: Interview with Seipati Bulane-Hopa / Monique Mbeka Phoba -- The Six Decades of African Film / Olivier Barlet -- Africa, The Last Cinema / Clyde Taylor -- The Pan-African Cinema Movement: Achievements, Misadventures, and Failures (1969-2020) / Férid Boughedir -- Part III: Theorizing African Cinema -- African Cinema(s): Denitions, Identity, and Theoretical Considerations / Alexie Tcheuyap -- Theorizing African Cinema: Contemporary African Cinematic Discourse and Its Discontents / Esiaba Irobi -- The Theoretical Construction of African Cinema / Stephen A. Zacks -- Towards a Critical Theory of Third World Films / Teshome H. Gabriel -- Africans Filming Africa: Questioning Theories of an Authentic African Cinema / David Murphy -- Tradition/Modernity and the Discourse of African Cinema / Jude Akudinobi -- Towards a Theory of Orality in African Cinema / Keyan G. Tomaselli, Arnold Shepperson, and Maureen Eke -- Film and the Problem of Languages in Africa / Paulin Soumanou Vieyra -- In Defense of African Film Studies / Boukary Sawadogo -- Part IV: Articulations of African Cinema -- Dossier 1: Key Dates in the History of African Cinema / curated by Olivier Barlet and Claude Forest -- Dossier 2: Ousmane Sembène / curated by Samba Gadjigo abd Sada Niang -- Sembène's Legacy to FESPACO / Samba Gadjigo and Sada Niang -- Vigil for a Centennial / Ousmane Sembéne -- Cinema as Evening School / Ousmane Sembéne -- Statement at Ouagadougou (1979) / Ousmane Sembéne -- Art for Man's Sake: A Tribute to Ousmane Sembène / Samba Gadjigo -- On "Mediated Solidarity": Reading Ousmane Sembène in Sembène! / Michael T. Martin -- Ousmane Sembène: An Annotated Gallery / Cole Nelson -- Dossier 3: African Women in Cinema / curated by Beti Ellerson
Part VI: * Founding Myths and Storytelling: The African Modern (2011) / Michael T. Martin Part I: Sites and Contexts of Exhibit -- African Film Festivals in Africa: Curating "African Audiences" for "African Films" / Lindiwe Dovey -- On Tracking World Cinema: African Cinema at Film Festivals / Manthia Diawara -- African Women on the Film Festival Landscape: Organizing, Showcasing, Promoting, Networking / Beti Ellerson -- African Cinema in the Tempest of Minor Festivals / Sambolgo Bangré -- Postcolonial Film Collaboration and Festival Politics / Dorothee Wenner -- Part II: FESPACO: An Evolving Cinematic and Cultural Formation -- African Cinema and Festival: FESPACO / Manthia Diawara -- FESPACO: Promoting African Film Development and Scholarship / M. Africanus Aveh -- FESPACO and Cultural Valorization / Mahir Şaul -- African Cinema: Between the "Old" and the "New" / Mbye Cham -- Statement at Ouagadougou (1979) / Ousmane Sembène -- A Name Is More Than the Tyranny of Taste / Wole Soyinka -- Cine-Agora Africana: Meditating on the Fiftieth Anniversary of FESPACO / Aboubakar Sanogo -- Cultural Politics of Production and Francophone West African Cinema: FESPACO 1999 / Teresa Hoefert de Turégano -- A Mirage in the Desert? African Women Directors at FESPACO / Claire Andrade-Watkins -- Cabascabo, the Film That Lastingly Established FESPACO: Interview with Alimata Salambéré, President of the First Edition (1969) / Olivier Barlet -- The Long Take: Gaston Kaboré on FEPACI & FESPACO / Michael T. Martin -- Pressing Revelations: Notes on Time at FESPACO / Rod Stoneman -- Fifty Years of Women's Engagement at FESPACO / Beti Ellerson -- Thiaroye or Yeelen / Férid Boughedir -- Long Live Cinema! Long Live FESPACO. A Luta Continua! / Claire Diao -- Rethinking FESPACO As an Echo / Michel Amarger -- Going to the Cinema in Burkina Faso / Mustapha Ouedgraogo -- FESPACO and Its Many Afterlives / Sheila Petty -- FESPACO Film Festival / Colin Dupré -- Part III: Conditionalities and Challenges -- Towards Reframing FESPACO / Imruh Bakari -- FESPACO Past and Future: Voices from the Archive / June Givanni -- The Opening of South Africa and the Future of African Film / Mahir Şaul -- FESPACO 2019: Moving Toward Resurrection / Olivier Barlet; Translated by Chloe Farrell -- Fifty Years of Memories for Shaping the Future! / Rémi Abéga -- Part IV: Commentaries: Filmmakers, Film Scholars, and Media Professionals -- Part V: Documents -- Resolution on the Pan-African Film Festival of Ouagadougou (1972) -- Regulations of the Carthage Film Festival (1970s) -- Regulations of the Pan-African Film Festival of Ouagadougou (1980) -- Regulations for the Official Juries of the 26th Edition of FESPACO (2019) -- FESPACO Award Winners (1972-2019) -- FESPACO 50th Anniversary Symposium (2019) -- Manifesto of Ouagadougou (2017) -- FESPACO Poster Gallery (1969-2019) -- Organizing Themes of the FESPACO Festival (1973-2019) -- Major Events of FESPACO (1969-2016) -- The African Film Library of Ouagadougou -- Part VI: Dossiers -- Dossier 1: Paul Robeson Award Initiative (PRAI) -- Dossier 2: The Higher Institute of Image and Sound/Studio School (ISIS-SE) -- Dossier 3: Imagine Film Training Institute -- * Power to the Imagination (2020) / Michael T. Martin -- * Founding Myths and Storytelling: The African Modern (2011) / Michael T. Martin
Part II: Michael T. Martin and Gaston Jean-Marie Kaboré -- Part 1: 2021 The New Normal: A Manifesto to Create a Safe Space, Free of Racism, for the Black Artit 1958 Declaration and Resolutions of the Conference of Independent African States -- 1968 Manifesto of New Cinema in Egypt -- 1969 Pan-African Cultural Manifesto, Algiers, Algeria -- 1969 Resolution on Inter-African Cultural Festiva -- l1970 Proposed Establishment of an All-African Cinema Union -- 1970s Regulations of the Carthage Film Festival -- 1972 Resolution on the Pan-African Film Festival of Ouagadougou -- 1974 Workshop Resolutions: Seminar on "The Role of the African Filmmaker in Rousing an Awareness of Black Civilization" -- 1975 The Algiers Charter on African Cinema -- 1975 The Accra Declaration on Cultural Policies -- 1976 Cultural Charter of Africa -- 1977 Cinematographic Art (FESTAC 77) -- 1977 Resolution of Commendation and Appreciation to the Federal Republic of Nigeria -- 1980 Regulations of the Pan-African Film Festival of Ouagadougou (FESPACO) -- 1982 Niamey Manifesto of African Filmmakers -- 1984 Final Communique, African Regional Film Workshop -- 1986 The Language Plan of Action for Africa -- 1987 Resolutions on the Development of Film and Endogenous and non-Endogenous Cultural Industries -- 1989 First International Day of Partnership (FEPACI) -- 1989 An Outlook on FEPACI -- 1990 Final Communique of the First Frontline Film Festival and Workshop -- 1991 Statement by the African Women Professionals of Cinema, Television, and Video -- 1991 The Status of the Audiovisual Sector in Africa -- 1991 Declaration of Windhoek -- 1992 African Audio-Visual Industries: Prospects and Strategies -- 1992 Cultural Industries for Development in Africa: Dakar Plan of Action -- 1995 Resolution on the Celebration of the Centenary of Film Invention -- 2001 African Charter on Broadcasting -- 2002 Accra Declaration on Public Service Broadcasting in West Africa -- 2002 Declaration of Principle on Freedom of Expression in Africa -- 2006 African Film Summit -- 2009 FEPACI Master Report: Selections -- 2010 Queer African Manifesto/Declaration -- 2010 Manifesto: Conference of African Women Filmmakers -- 2010 Sollywood: A Movement -- 2010 Communique from the "Sustaining the New Wave of Pan-Africanism" Workshop -- 2011 The WEMF V Accra Declaration -- 2013 African Declaration on Internet Rights and Freedom -- 2013 Declaration at the Second African Women in Film Forum -- 2016 The African Editors Forum (TAEF): Declaration on World Media Freedom Day -- 2016 African Media Initiative -- 2016 Sisters Working in Film and Television (SWIFT) -- 2017 Manifesto of Ouagadougou, FESPACO 25th Edition -- 2017 The Surreal16 Collective Manifesto White Paper -- 2018 African Cinema Day: One Africa, One Cinema Project -- 2003 & 2019 The African Audiovisual and Cinema Commission (AACC): Decision on the Establishment of an AACC (2003), Draft Statute of the AACC (2019) -- Part II: Black Diaspora -- 1920 Declaration of the Rights of Negro Peoples of the World -- 1945 Selections from the Declarations and Resolutions of the Fifth Pan-African Congress -- 1956 First Congress of Negro Writers and Artists -- 1958 Appeal: The Unity and Responsibilities of African Negro Culture -- 1959 Second Congress of Negro Writers and Artists -- 1965 An Esthetic of Hunger -- 1969 Black Manifesto -- 1970 Towards a Third Cinema -- 1972 Manifesto of the Palestinian Cinema Group -- 1973 Resolutions of the Third World Filmmakers Meeting -- 1974 The Resolution on Culture, Sixth Pan-African Congress -- 1974 Final Resolutions: International Conference for a New Cinema -- 1983 Black Independent Filmmaking: A Statement by the Black Audio Film Collective -- 1983 Symposium Declaration: Third Eye -- Struggle for Black & Third World Cinema -- 1983 NAMEDIA Declaration -- 1986 Inauguration of the San Antonio de Los Baños International School of Cinema and Television -- 1990 FeCAVIP Manifesto -- 1990 Audiovisual Market Caught Between the Chances in the North and South-South Cooperation -- 1991 Special Broadcasting Service Charter -- 1992 Caribbean Film and Video Federation: A Report -- 1993 Working Group: Women in Cinema, Television, and Video Workshop -- 1994 Resolution of the Seventh Pan-African Congress -- 1995 Pan-African Union of Women of the Moving Image (UPAFI) -- 1999 Dogma Feijoada -- 1999 Tunis Declaration for the Defense of National Cinemas -- 2003 Dakar Declaration on the Promotion of ACP Cultures and Cultural Industries -- 2003 National Cultural Policy of Jamaica: Towards Jamaica the Cultural Superstate -- 2003 Towards a Protocol for Filmmakers Working with Indigenous Content and Indigenous Communities -- 2004 Poor Cinema Manifesto -- 2005 Principles of Kaupapa Māori -- 2006 Santo Domingo Resolution From the 2nd Meeting of the ACP Ministers of Culture -- 2008 Jollywood Manifesto -- 2009 Brussels Declaration by Artists and Cultural Professionals and Entrepreneurs Annex to the Brussels Declaration: The Cinema and Audiovisual Sector as a Factor of Development (2009) -- 2009 Afrosurreal Manifesto: Black is the New black -- A 21st-Century Manifesto -- 2011-14 ABCD CINEMA: Filmmakers of Africa, Brazil, the Caribbean, and their Diasporas: Final Declaration of the First Meeting of ABCD CINEMA (2011); Final Declaration of the Second Meeting of ABCD CINEMA (2012); Final Declaration of the Third Meeting of ABCD CINEMA (2013: Cameras of Diversity (2012-2014) -- 2012 The Association for the Advancement of Cinematic Creative Maladjustment: A Manifesto -- 2012 Forty Years of Cinema by Women of Africa -- 2013 Tela Preta Manifesto -- 2013 Trinidad and Tobago Declaration on Developing the Caribbean Film Industry -- 2013 The New Negress Film Society -- 2015 Resolutions of the Eighth Pan-African Congress -- 2016 "Black Is" and That's the Beauty of It: Ten Propositions Concerning the Visible and the Visual, in Consideration of Black Cinema and Black Visual Culture -- 2016 Report on the Launch of the African Women Filmmakers Hub -- 2016 Cinema Pasifika: Developing the narrative film and television sector in the Pacific Island region -- 2017 Pan-African Alliance of Screenwriters and Filmmakers (APASER) -- 2018 More Shamans, less intolerance! An Indigenous Manifesto at Berlin Film Festival -- 2018 Kia Manawanui: Kaupapa Māori Film Theoretical Framework -- 2019 Reclaiming Black Film and Media Studies -- 2021 The New Normal: A Manifesto to Create a Safe Space, Free of Racism, for the Black Artit
Series:
Studies in the cinema of the Black diaspora
ISBN:
0253066298
9780253066299
025306628X
9780253066282
OCLC:
(OCoLC)1388648888
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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