Includes bibliographical references (p. [241]-255) and index.
Contents:
Morocco's new voices : women writers and the socio-political and cultural landscape -- Mernissi and Scheherazade in dialogue : rereading and acts of subversion -- The myth of the silent woman -- Transgressive narratives -- A prison narrative : female memory and a woman called 'Rachid' -- The female body and the body politic : harem and hammam -- Women and the city -- Scheherazade's (Moroccan) sisters : the poetics of identity and democracy -- Conclusion.
Summary:
"Beginning in the 1980s and gathering force in the last decade of the twentieth century, Moroccan women writers have become the latest group of Middle Eastern women to break their silence by writing both fiction and non-fiction. The Myth of the Silent Woman examines representative French-language texts from Moroccan women writers. Suellen Diaconoff situates these works in a discourse of social justice and reform, arguing that they contribute to the emerging national debate on democracy and help to create new public spaces of discourse and participation." "In novels and short stories, essays and memoirs, including one powerful text by a dissident and former political prisoner, these authors contest hegemonic systems of thought and practice, reappraise traditional spaces and limits, shatter taboos, and transgress borders. In so doing, they profoundly undermine easy assumptions about Arab women, feminism, and democracy, while boldly challenging the stereotype of the silent woman"--Book jacket.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.