Images ungoverned: a dialogue / Faisal Devji and David Joselit. Moving images: on video art markets and distribution / Lucas Hilderbrand -- Mobile indeed: the marketing of video art and video art as marketing / Nancy Buchanan and Catherine Taft -- New media states: web 2.0 and embedded video practice / Kenneth Rogers -- Public stances / Kathy High -- The voice of blindness: on the sound tactics of Tran T. Kim-Trang's Blindness series / Ming-Yuen S. Ma -- Making visible what had no business being seen: community media and the question of the political / Freya Schiwy -- Database, anarchøologie, the commons, kino-eye, and mash: how Bard, Kaufman, Svilova, and Vertov continue the revolution / Erika Suderburg -- City as screen / Holly Willis -- Installation and the new cinematics / Michael Rush -- The evil eye of adolescence / Laurence A. Rickels -- Media arts as intervention / Yvonne Spielmann -- Video cinema ether (VCE) / Akira Mizuta Lippit -- To touch, plot, and dream the Il Ngwesi Maasai landscape / Beverly R. Singer -- Dante Cerano's Dia dos: sex, kinship, and videotape / Jesse Lerner -- Tragedies without witness / Lionel Manga -- Contemporary Korean video art after Nam June Paik / Hea Jeong Lee -- Transitland: video art in Central and Eastern Europe / Kathy Rae Huffman -- Native makers/new media / Kathleen Ash-Milby -- You dropped a bomb on me / Jessica Lawless -- Representing uncertainty/claiming indeterminacy: Aliza Shvarts' unseen Yale art project / Jennifer Friedlander -- I got this way from eating rice: gay Asian documentary and the reeducation of desire / Nguyen Tan Hoang -- Screen eroticisms: exploring female desire in feminist film and video / Amelia Jones -- Media and desire in the sport spectacle / Jennifer Doyle -- Everything is possible, but nothing is real / Derek A. Burrill -- Vector, space, and time / Sean Cubitt -- Video art on youtube / Alexandra Juhasz -- African video art: war, dreams, and freedom / Myriam-Odile Blin -- Images ungoverned: a dialogue / Faisal Devji and David Joselit.
Summary:
'Resolutions 3' explores the wide-ranging implications of video art and video-based production in contemporary media culture. The contributors analyse what is now a fourth decade of video practices as marked within and outside the margins of art production, networked interventions, projected spectacle, museum entombment, or 24/7 streaming.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.