II. Fit for print, not for spectacle: Ringling Bros. and the careful exploitation of Joan of Arc / Medievalism and Gulf-War politics in Tariq Ali's A Sultan in Palermo / Scott Manning. Czech political medievalism: Tomáš Masaryk and Petr Chelčický / Stephen Lahey -- Robin Hood political memes: Hillary Rodham Clinton, Barack Obama, and the Far Right's appropiation of the English outlaw / Alexander L. Kaufman -- Cry George: grounding English national identity in the age of Brexit / Susan Aronstein and Laurie Finke -- "Once more into the breach!": Allusions to Agincourt and the medieval past in cross-channel political reporting of Brexit / John C. Ford -- Rest in gold: a medieval-like memorial for German soldiers at El Alamein / Galit Noga-Banai -- Provenance and reception of Iberian chivalric books in English from the seventeenth to the twentieth century: the case of Anthony Munday's Palmendos (1589) / Leticia Álvarez-Recio -- In Woden's shadow: Anglo-Saxonism, Paganism, and politics in modern England / Ethan Doyle White -- The West remembers (its premodern self): nation, civilization, and the insular Middle Ages in Game of Thrones / Matthias D. Berger -- II. Other responses to medievalism -- The emasculation of Theon Greyjoy / Shiloh Carroll -- George R. R. Martin and the Virgin Martyr: misogyno-feminism and the (ab)uses of the past / Karen A. Winstead -- The composite unity of the entangled self in Maria Dahvana Headley's The Mere Wife / S. C. Thomson -- Fit for print, not for spectacle: Ringling Bros. and the careful exploitation of Joan of Arc / Scott Manning.
Summary:
Essays on the post-modern reception and interpretation of the Middle Ages. "This volume continues the theme of its predecessor, addressing how the Middle Ages have been invoked to score political points particularly with reference to the rise of populism fueled by recent recessions and a pandemic. The nine essays in the first portion of the volume directly address political medievalism in Tariq Ali's 2005 novel on Mideast instability, A Sultan in Palermo; attempts by twentieth-century Czech politicians to anchor their causes in the fifteenth-century Czech hero Petr Chelcický; far-right deployment of Robin Hood memes to slander Hillary Rodham Clinton and Barack Obama; the ways Rory Mullarkey's 2017 play Saint George and the Dragon comments on English national identity relative to Brexit; how national stereotypes have come into play amid cross-channel reporting on Brexit; nationalism in the medievalizing German monument to their fallen at the 1942 Battle of El Alamein; the English-speaking world's reception of Anthony Munday's 1589 book on conduct, Palmendos; nationalism in the self-characterization of two contemporary British Pagan movements; and how various communities in the television series Game of Thrones comment on medieval and/or contemporary nations. Nor are politics entirely absent from the final four articles in the volume, as they examine attempts to promote such particular agendas as toxic masculinity in Game of Thrones; misogyno-feminism there and in the George R.R. Martin book series on which the television program is based, A Song of Ice and Fire; the potential for audience self-realization amid the tension between the individual and the collective in The Mere Wife, Maria Dahvana Headley's 2018 adaptation of Beowulf; and ideal individual and collective behavior as modeled in the Ringling Brothers' 1912-13 spectacles about Joan of Arc."--Page 4 of cover.
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