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Title:
America after the fall : painting in the 1930s / edited by Judith A. Barter ; with essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler.
Edition:
First edition.
Publisher:
The Art Institute of Chicago,
Copyright Date:
2016
Description:
201 pages ; 31 cm
Subject:
Painting, American--20th century--Exhibitions.
National characteristics, American, in art--Exhibitions.
Art and society--United States--History--20th century--Exhibitions.
1900-1999
Other Authors:
Barter, Judith A., 1951- editor.
Art Institute of Chicago, host institution. host institution.
Musee de l'Orangerie, host institution.
Royal Academy of Arts (Great Britain), host institution.
Notes:
Includes bibliographical references (pages 188-195) and index.
Contents:
Exhibition checklist. Foreword / Judith A. Barter -- Acknowledgments / Judith A. Barter -- Introduction / Judith A. Barter -- Americanness after the 1930s / Judith A. Barter -- American made? Transatlantic expressions in the 1930s / Sarah Kelly Oehler -- Reviving the old and telling tales: 1930s modernism and the uses of American history / Annelise K. Madsen -- Death, decay, and dystopia: painting the American wasteland in the 1930s / Sarah L. Burns -- Busted seams and bad behavior : bodies for the 1930s / Teresa A. Carbone -- Epilogue: Americanness after the 1930s / Judith A. Barter -- Exhibition checklist.
Summary:
"Through 50 masterpieces of American painting, this catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression in search of "Americanness." Seeking to define modern American art, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles-ranging from abstraction to Regionalism to Surrealism-that allowed them to engage with issues such as populism, labor, social protest, and urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty"-- Provided by publisher.
ISBN:
0865592829 (softcover)
9780865592827 (softcover)
0300214855 (hardback)
9780300214857 (hardback)
OCLC:
(OCoLC)930798166
LCCN:
2016009063
Locations:
BOPG851 -- Ames Public Library (Ames)
USUX851 -- Iowa State University - Parks Library (Ames)
TCPG826 -- Bettendorf Public Library Information Center (Bettendorf)
OVUX522 -- University of Iowa Libraries (Iowa City)

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