My Teenage Cinematic Love Affair with Doris Wishman / Notes on Contributors -- Acknowledgments -- Foreword -- Joan Hawkins -- Introduction: Making Films in Hell / Rebekah McKendry Part 3. Gender and Genre -- The Body as Apparatus: Doris Wishman's Double Agent 73 / Elena Gorfinkel -- The Girls in the Mirror: Women's Horror Filmmaking and Doris Wishman's Each Time I Kill / Alexandra Heller-Nicholas -- Trans/sexual Negativity and the Ethics of (S)exploitation in Let me Die a Woman / Harper Shalloe -- Part 2. Cultural History and Adult Film Studies -- Hardcore Wishman / Whitney Strub -- Bad Bis Go to Hell: Bisexuality as Transgressive and Lucrative in Doris Wishman's Roughies / Finley Freibert -- "It's strange but it's wonderful": Doris Wishman's Nude on the Moon / Karen Joan Kohoutek -- Part 3. Comparative Approaches to Authorship -- Depicting Female Bodies: Doris Wishman, Carolee Schneemann, and Legacies of Subversion / Hannah Greenberg -- Revolutionization of the Erotic Screen: The Films of Doris Wishman and Wakamatsu Koji / Molly Kim -- "You can't say you're not getting a horror film here!": Authorship, Genre, and the Accidental Avant-Garde in Doris Wishman's A Night to Dismember / Jamie Hook -- My Teenage Cinematic Love Affair with Doris Wishman / Rebekah McKendry
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