Appendix. Further characteristics of sonata form. Ch. 1. Musical time and space ; Ch. 2. Harnessing musical time and space ; Ch. 3. Making choices: when harmony melody, and rhythm merge -- Pt. 2. Diatonic harmony: functions, expansions, and the phrase model. Ch. 4. Composition and analysis: using I, V, and V7 ; Ch. 5. Contrapuntal expansions of tonic and dominant ; Ch. 6. The pre-dominant, phrase model, and additional embellishments -- Pt. 3. Elaborating the phrase model and combining phrases. Ch. 7. Six-four chords, non-dominant seventh chords, and refining the phrase model ; Ch. 8. The submediant and mediant harmonies ; Ch. 9. The period, double period, and sentence ; Ch. 10. Harmonic sequences: concepts and patterns -- Pt. 4. Chromaticism and larger forms ; Ch. 11. Applied chords and tonicization ; Ch. 13. Expressive chromaticism: modal mixture and chromatic modulation ; Ch. 14. The Neapolitan and Augmented sixth chords ; Ch. 15. Ternary and sonata forms -- Appendix. Additional formal procedures ; Subphrases and composite phrases ; Variation techniques ; Ternary form and the nineteenth-century character piece ; Rondo ; Further characteristics of sonata form.
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