Ken Okiishi's artwork has explored the subject in between digital and continuous space, the changing nature of authorship, memory, and perception, and the indeterminacy of consciousness as it clashes with the strictures of technology. He has engaged seminal works by figures including Woody Allen, Arthur Rimbaud, Marcel Duchamp, Stephen Spielberg, David Wojnarowicz, Jacques Demy, and Larry Clark (and the histories and personalities that circulate around these cultural products), infusing them with autobiographical and technological elements that reframe them through the incongruity of "real life." While working on the exhibitions at MIT and CCS Bard that occasion this publication, Okiishi realized a radical material rupture in his work, as linguistic and bodily glitches became registered both inside and outside the screen, and the surface of media itself became the support surface for weirdly gestural paintings. This series of works, titled gesture/data, was first exhibited at CCS Bard and, most recently, was exhibited to great acclaim at the 2014 Whitney Biennial. This book is the first instance of considering Okiishi's work from the last fifteen years as a heterogeneous whole. Exhibition: MIT List Visual Arts Center, Cambridge, USA (16.7.-1.9.2013) / Hessel Museum of Art, Bard College, Annandale-on-Hudson, USA (24.3.-26.5.2013).
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.