Includes bibliographical references (pages 183-234), filmography (pages 235-236), and index.
Contents:
Introduction -- The art of montage in the age of hyperstimulation -- The birth of literary montage from the spirit of contemporary reviews of Berlin Alexanderplatz -- Montage practice : the redemption of Jutzi's Berlin Alexanderplatz -- Fassbinder's Berlin Alexanderplatz, symphony of an invisible city -- Conclusion.
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