Ships passing: encounters with strangers in Melville's "Benito Cereno" and Conrad's "The secret sharer" / Melville's work: the cultural sweat of slavery / John D. Schwetman. "Who aint a slave?": Moby-Dick and the slave narrative tradition / William Merill Decker -- The American Calumet peace pipe: Melville's late visions of intersection of race / Yukiko Oshima -- The threat of a revolution on board the Bellipotent: darkness in Billy Budd, Sailor / Rodrigo Andrés -- The representation of the other in Conrad's Heart of Darkness / Fabio De Leonardis -- In the dark narcissim of se(a)cret sh(e)aring/sh(e)aring se(a)cret: Conrad, Melville, and the eruption of the other / Yuji Kato -- The human factor in Joseph Conrad's Heart of Darkness / Malika Rebai Maamri -- Melville among the cannibals and American empire / T. Walter Herbert -- Melville's cold war: re-reading C.L.R. James's Mariners, Renegades, and Castaways / Arthur Redding -- "Unfathomable cravings" and "enchanted heysts": the ironic rescuer in Pierre and Victory / John T. Matteson -- From desertion comes solace - perhaps: the stories of Agatha Hunilla, Amy Foster, and Winnie Verloc / Sanford E. Marovitz -- The tragedy of trauma: Kurts and Ahab / Anna Marta Szczepan-Wojnarska -- Uncanny Conrad: home, exile, memory, and communion with the dead / Laurence Davies -- Ships passing: encounters with strangers in Melville's "Benito Cereno" and Conrad's "The secret sharer" / John D. Schwetman.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.