Includes bibliographical references (pages 165-166) and index.
Summary:
One of the first American artists to bring French Impressionism home to develop on native soil, Theodore Wendel is likely the last to have a monograph that records his remarkable career and stunning oeuvre. His portraits and still lifes, and especially his landscapes, not only exemplify the joyous palette and vigorous brushwork of the genre, but they also mirror the idyllic, transient beauty of rural hamlets along the Massachusetts coast - Gloucester and Ipswich, the dual epicentres of his distinguished career.0One of the original 'Duveneck boys' who studied in Munich at the Royal Academy, Wendel followed his mentor to Florence and Venice; he later went on to Paris and ultimately joined a colony of young artists at Giverny. The scenes and subject matter in the works he completed there are among the earliest by an American artist to adopt and evolve Impressionist strategies. Upon his return to America, he spent the next decades rendering scenes of the farmland and coast north of Boston that contemporary critics acclaimed as some of the best they had seen. Yet despite his talent and the significant accolades earned during his career, in the near-century following his death the recognition of his achievements has faded. The Artist Book Foundation is delighted to have the opportunity to remedy this situation with this monograph on the artist, Theodore Wendel: True Notes of American Impressionism.0Laurene Buckley's years of exhaustive research inform an engaging and detailed narrative of Wendel's time in Europe and his many years capturing the essence of the farms and fishing villages along the rural coast of Massachusetts.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.