Models for sculptures in print : Michelangelo's Samson and two Philistines in Lucas Kilian's engravings / Claudie Echinger-Maurach. Transferring ancient sculptures into prints : Marcantonio Raimondi's Quos Ego, its prototypes and afterimages / Gudrun Knaus -- Marcantonio Raimondi and fragmentary ancient statues : hypotheses on his working method and antiquarian practice / Mandy Richter -- Cherubino Alberti's engravings after Polidor da Caravaggio : from chiaroscuro to sculpture / Maria Gabriella Matarazzo -- From sculpture to print to sculpture : Parmigianino, Caraglio and the mystery of the Barberini Faun / Marzia Faietti -- The reproduction of sculpture as sculpture in 16th century prints : Baccio Bandinelli, Giambologna, and Adriaen de Vries / Anne Bloemacher -- The young Baccio Bandenelli and the role of prints at the beginning of a sculptors career / Angelika Marinovic -- Considering the viewer in prints of Michelangelo's Risen Christ : the cases of Beatrizet and Matham / Bernadine Barnes -- On the genesis of Antonio Tempest's print of Henry II on Horseback / Claudia Echinger-Maurach -- Sculpture's narrativity in Northern Renaissance prints / Franciszek Skibinski -- Models for sculptures in print : Michelangelo's Samson and two Philistines in Lucas Kilian's engravings / Claudie Echinger-Maurach.
Summary:
"Sculpture in Print, 1480-1600 is the first monograph dedicated to the intriguing history of the translation of statues and reliefs into print. The multitude of engravings, woodcuts and etchings show a highly creative handling of the 'original' antique or contemporary work of art. The essays in this volume reflect these various approaches to and challenges of translating sculpture in print. They analyze foremost the beginnings of the phenomenon in Italian and Northern Renaissance prints and they highlight by means of case studies amongst many other topics the interrelated terminology between sculpture and print, lost models in print, the inventive handling of fragments, as well as the transformation of statues into narrative contexts"-- Provided by publisher.
Series:
Brill's studies on art, art history, and intellectual history, 1878-9048 ; volume 52
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.