Ivan the terrible and "the juncture of beginning and end" / Anne Nesbet The evolving Eisenstein: three theoretical constructs of Sergei Eisenstein / Oksana Bulgakowa -- Maintaining, blurring, and transcending gender lines in Eisenstein / Al LaValley -- The circle and the line: Eisenstein, Florensky, and Russian orthodoxy / Rosamund Bartlett -- Eisenstein's October: on the cinematic allegorization of history / Hk̄an Lv̲gren -- Eisenstein: lessons with Hollywood / James Goodwin -- Censorship, culture, and codpieces: Eisenstein's influence in Britain during the 1930's and 1940's / Ian Christie -- Viktor Shklovsky: the good and awkward friend / Nikita Lary -- Once in a lifetime: Eisenstein and his associates as literary prototypes in a novel by Lev Kassil / Omry Ronen -- Eisenstein: barometer of the thaw / Josephine Woll -- In the name of the father: the Eisenstein connection in films by Tarkovsky and Askoldov / Andrew Barratt -- Eisenstein and Tarkovsky: a montage of attractions / Vida T. Johnson -- Visual patterning, vertical montage, and ideological protest: Eisenstein's stylistic legacy to East European filmmakers / Herbert Eagle -- A history of Bezhin meadow / Peter Kenez -- Alexander Nevsky: film without a hero / Barry P. Scherr -- The politics of bewilderment: Eisenstein's Ivan the terrible in 1945 / Joan Neuberger -- The power of grammar and the grammar of power: the childhood scenes in Ivan the terrible / Alexander Zholkovsky -- Ivan the terrible: Eisenstein's rules of reading / Yuri Tsivian -- Ivan the terrible and "the juncture of beginning and end" / Anne Nesbet
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