Includes bibliographical references (p. 195-202) and index.
Contents:
Conclusion: Patterns of Interactivity. Relations of Japanese and American Art -- Artistic Nationalism -- East-West Rhetoric -- Early Formations -- Changing Fortunes -- The Japanese Margins of American Abstract Expressionism -- National Flavors of Abstraction -- Okada Kenzo: Oriental Abstraction -- Hasegawa Saburo: Ambassador of Japanese Art -- Mark Tobey: A Janus-Faced America -- Franz Kline: American Graphology -- Artists Typecast by Nationality -- The Calligraphy and Pottery Worlds of Japan -- Art Worlds within Nations -- Morita Shiryu: The Lexical Basis of Calligraphy -- Yagi Kazuo: The Attachment to Clay -- Proprietorship of Clay and Ink -- Isamu Noguchi: Places of Affiliation and Disaffiliation -- Changing Places, Changing Skin -- Hiroshima: To Build a Nation -- Kita Kamakura: To Dwell in a Nation -- Paris: To Pay Homage to the Japanese Garden -- Manhattan: To Possess the Japanese Garden -- The Ground as a Modern Medium -- Conclusion: Patterns of Interactivity.
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