The Locator -- [(title = "Paint")]

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Author:
O'Keeffe, Georgia, 1887-1986, artist.
Title:
Georgia O'Keeffe : to see takes time / Samantha Friedman.
Publisher:
Distributed in the United States and Canada by ARTBOOK / D.A.P. ;
Copyright Date:
©2023
Description:
180 pages : illustrations (chiefly color), portraits (chiefly color) ; 28 cm
Subject:
O'Keeffe, Georgia,--1887-1986--Exhibitions.
O'Keeffe, Georgia,--1887-1986--Criticism and interpretation.
Art, Modern--Exhibitions.
Other Authors:
Friedman, Samantha, writer of supplementary textual content. writer of supplementary textual content. https://isni.org/isni/0000000362123295
Olek, Emily, writer of supplementary textual content.
Lowry, Glenn D., writer of supplementary textual content.
Neufeld, Laura, writer of supplementary textual content.
Museum of Modern Art (New York, N.Y.), host institution. https://isni.org/isni/0000000123082510
Notes:
Published to accompany an exhibition held at The Museum of Modern Art, New York, April 9-August 12, 2023. Includes bibliographical references (pages 174-175) compiled by Emily Olek.
Contents:
Foreword / Samantha Friedman. In the air / Samantha Friedman -- Single-track mind: methods and materials in Georgia O'Keeffe's serial works on paper / Laura Neufeld -- Saying things / Samantha Friedman -- Soaked with mountains / Samantha Friedman -- To paint nakedness / Samantha Friedman -- In waves / Samantha Friedman -- A very special person / Samantha Friedman -- In the air / Samantha Friedman.
Summary:
"Recalling a charcoal she made in 1916, Georgia O'Keeffe later wrote, 'I have made this drawing several times--never remembering that I had made it before--and not knowing where the idea came from.' These drawings, and the majority of O'Keeffe's works in charcoal, watercolor, pastel and graphite, belong to series in which she develops and transforms motifs that lie between observation and abstraction. In the formative years of 1915 to 1918, she made as many works on paper as she would in the next 40 years, producing sequences in watercolor of abstract lines, organic landscapes and nudes, along with charcoal drawings she would group according to the designation "specials." While her practice turned increasingly toward canvas in subsequent decades, important series on paper reappeared--including charcoal flowers of the 1930s, portraits of the 1940s and aerial views of the 1950s."-- Harvard Bookstore website (viewed on April 12, 2023)
ISBN:
163345147X
9781633451476
OCLC:
(OCoLC)1370605762
LCCN:
2022950669
Locations:
USUX851 -- Iowa State University - Parks Library (Ames)
OVUX522 -- University of Iowa Libraries (Iowa City)

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