Product of an international conference organized by the Centro Studi Opera Omnia Luigi Boccherini and Palazzetto Bru Zane in Lucca, Italy in 2015. Includes bibliographical references and index.
Contents:
Music criticism / music journalism -- Discourses -- Composers' voices. Richard Wagners offener brief uber Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde' / Rainer Kleinertz. Barnun et les Romaine: critique, claque et reclame dans les 'Soirees de l'orchestre' d'Hector Berloiz / A critic's progress: Emile-Mathieu de Monter's musical reporting of the Paris 1867 and 1878 Exposition Universelles for the 'Revue et Gazette musicale de Paris' / Sylvia Kahan -- London's Italian opera as a topic of interest to international nineteenth-century music criticism / Ingeborg Zechner -- Speaking for whom? using opera reviews from Strasbourge (1887-1918) to clarify the problematical source character of music criticism / Jeroen van Gessel -- Graphic humour as musical criticism: cartoon and caricature in the first Wagnerian reception in Madrid / Jose Ignacio Suarez Garcia -- The music in the theatres of Rio de Janiero (1890-1900): concert series, music critcism and conflicting cultural projects in the early years of the republic / Monica Vermes -- The power of music criticism in the shaping of modern Uruguay: an analysis of the newspaper 'Montevideo Musical' / Marita Fornaro Bordolli -- The cultural biography of a musical periodical: 'Boletin Musical' (Buenos Aires, 1837) / Melanie Plesch -- Nativist rhetoric in the opera journalism on Antebellum New York City / Erin Fulton -- 1813, Vienna, and a re-print of the 'AmZ': notes on intertexuality in German music media around 1800 / Marc Ernesti -- The string quartet in early nineteenth-century performance and criticism / Nancy November -- Beethoven e Mendelssohn nel pensiero di Adolf Bernard Marx / Maria Teresa Arfini -- La musica non imita e non esprime che lo stesso sentimento in persona : per una (mancata) teoria musicale leopardiana / Renato Ricco -- Fallen angels of music: subjectivity inearly 19th-century philosophy and the reception of virtuosity in contemporary music criticism / Zarko Cvejic -- 'Absolute' philosophy? gender, nationalism, and Jewishness in Eduard Hanslick's formalism / Michael B. Ward -- Manuel de Falla at war: on race, sound, and new music / Teresa Cascudo Garcia-Villaraco -- Les plaisirs de l'imagination sont les seuls reels : Getry's writings and the expansion of critical thought at the beginning of the nineteenth century / R.J. Arnold -- Composer-critic and Intimitable creators : E.T.A. Hoffmann, W.A. Mozart, and the genesis of German romantic opera / Diau-Long Shen -- Critical responses to nineteenth-century music criticism: Johanna Kinkel's 'Trinkleider' and her later lieder collections / Anja Bunzel -- Richard Wagners offener brief uber Franz Liszts Symphonische Dichtungen (1857) and die komposition von 'Tristan und Isolde' / Rainer Kleinertz.
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