Includes bibliographical references (pages [369]-370) and index.
Contents:
Böse Menschen singen keine Arien: Prolegomena zu einer ungeschriebenen Geschichte der Opernzensur (1996). Cocteau, Stravinsky, Brecht, and the birth of epic opera (1962) -- Introduction to The essence of opera (1964) -- Reflections on a golden style: W.H. Auden's theory of opera (1970) -- "Per porle in lista": Da Ponte/Leporello's amorous inventory and its literary and operatic antecedents from Tirso de Molina to Giovanni Bertati (1981) -- Educating Siegfried (1984) -- (Pariser) Farce oder wienerische Maskerade? Die französischen Quellen des Rosenkavalier (1987) -- The little word und: Tristan und Isolde as verbal construct (1987) -- Benedetto Marcellos Il Teatro alla moda: Scherz, Satire, Parodie oder tiefere Bedeutung? (1989) -- Von Ballhorn ins Bockshorn gejagt: Unwillkürliche Parodie und unfreiwillige Komik im Ambroise Thomas' Mignon (1989) -- "Die letzte Häutung". Two German Künstleropern of the Twentieth Century: Hans Pfitzner's Palestrina and Paul Hindemith's Mathis der Maler (1992) -- Between progress and regression: the text of Stravinsky's opera The Rake's Progress in the light of its evolution (1992) -- What is Romantic opera? Toward a musico-literary definition (1994) -- Böse Menschen singen keine Arien: Prolegomena zu einer ungeschriebenen Geschichte der Opernzensur (1996).
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.