Transitional what? Perspectives from Syrian videographers on YouTube takedowns and the "video as evidence" ecology / Dima Saber. Archiving war: spatiotemporal reconfigurations -- Archives of enmity and martial epistemology / Kevin McSorley -- Event maps: The cartographic archive and imagined futures of war / Anders Engberg Pedersen -- The Cerrillos Archive project: machines, war, and nonhuman rights / Cristián Gómez-Moya -- The aesthetics of drone formations: counter-archives, mediations, and interventions -- Drones as big data archives: mimesis and counter-archiving in contemporary art on military drones / Kathrin Maurer -- Avian prophecies and the techno-aesthetics of drone warfare / Heba Y. Amin and Anthony Downey -- Watched by drones: photographic surveillance in art, war, and protest / A conversation between Svea Braeunert, Sarah Tuck, and Louise Wolthers -- Sensing war: technologies, intimacies, and bodies -- Cruel intimacies / Daniela Agostinho -- A probable female, a probable child: civilian casualties, remote monitoring, and recognition work in the air war against ISIS / Sophie Dyer -- (Touring) / Oraib Toukan -- The subversive body / Aimée Zito Lema -- Archives of the flesh: reenacting memories of torture / Sofie Lebech -- Evidentiary aesthetics: documenting, winessing, redressing -- The imperial condition of photography in Palestine: archives, looting, and the figure of the infiltrator / Ariella Azoulay -- Necropolis: walking through a list of deaths / Arkadi Zaides -- Forensic (im)probabilities: entering Schrödinger's box with Rabih Mroué and Hito Steyerl / Solveig Gade -- Transitional what? Perspectives from Syrian videographers on YouTube takedowns and the "video as evidence" ecology / Dima Saber.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.