The Locator -- [(title = "Wild heart")]

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Author:
Taylor, Henry, 1958- artist. http://id.loc.gov/authorities/names/no2009085155
Title:
Henry Taylor : the only portrait I ever painted of my momma was stolen / with contributions by Zadie Smith, Sarah Lewis, Charles Gaines & Rachel Kaadzi Ghansah.
Publisher:
Rizzoli Electa ;
Copyright Date:
2018
Description:
320 pages : color illustrations, portraits ; 32 cm
Subject:
Taylor, Henry,--1958---Criticism and interpretation.
Taylor, Henry,--1958---Interviews.
Taylor, Henry,--1958-
Painting, American--21st century.
Painting, American--21st century--Exhibitions.
African American artists--Exhibitions.
African Americans in art.
African American artists.
Painting, American.
Malerei.
2000-2099
Exhibition catalogs.
Other Authors:
Smith, Zadie, contributor. http://id.loc.gov/authorities/names/n99057428
Lewis, Sarah Elizabeth, 1979- contributor. http://id.loc.gov/authorities/names/nr2004002829
Gaines, Charles, 1944- interviewer. interviewer. http://id.loc.gov/authorities/names/nr2003024442
Ghansah, Rachel Kaadzi, 1981- contributor. http://id.loc.gov/authorities/names/no2015139494
Notes:
Includes bibliographical references (pages 306-308) and index.
Contents:
Henry Taylor's wild heart can't be broken / Rachel Kaadzi Ghansah. Henry Taylor: the impossible present / Sarah Lewis -- An interview with Henry Taylor / Charles Gaines -- Henry Taylor's wild heart can't be broken / Rachel Kaadzi Ghansah.
Summary:
"Legendary artist Henry Taylor's first major monograph chronicles his life and work--the "visual equivalent of the blues." This definitive survey of over 200 of the painter's portraits and street scenes forms a personal and political portrait of society today. For three decades the iconic artist has worked his way through New York, Los Angeles, Europe, and Africa, documenting what he sees. In his circle are artists, musicians, writers, performers, as well as friends from his ten years as a psychiatric technician. It is the artist's empathetic eye that allows him to imagine his figures with authenticity and grace--not better than they are, or more glamorous--but part of a big, complicated world. Flat, brushy flows of color cast figures that often float in surreal landscapes abstracted from the barbeque in the park, or neighboring street. Suites of Taylor's paintings are reproduced alongside handwritten accounts of the sittings, offering an in-depth understanding of the artist's world. Contributions by Charles Gaines, Rachel Kaadzi Ghansah, Sarah Lewis, and Zadie Smith touch on the nature of truth, racial terror; memory and belonging in America. This definitive monograph celebrates Taylor's direct and revealing portraits, offering a tonic to a divisive cultural moment." -- Publisher's description
ISBN:
9780847863105
0847863107
OCLC:
(OCoLC)1029233395
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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